Place Construction Of Jingdezhen Contemporary Ceramic Art Museum

Art Museum appeared late in china,the existing information are mostly to introduce concrete requirements of the spatial scale and the exhibition furnitures,while the study of space construction in art museum is a little.This thesis relies on the Jingdezhen Jingsheng art museum project,researching on Jingdezhen city context and ceramic culture and combining with the theory of place,to explore a method about place construction which is adapt to the context of Jingdezhen contemporary ceramic art.Constructing the space intention of Jingdezhen contemporary ceramic art and art museum should start from these two aspects,the context of Jingdezhen is one thing.The contemporary ceramic art is another.After reaching and analysing these two factors,Panlonggang kiln ruins,Chinese traditional religion,and western contemporary ceramic art values became the starting point of the thesisThe thesis was based on human experience,in addition,combing Jingdezhen kiln ruins and contemporary ceramic context with the elements of place composition.Finally,this design formed a holistic art spaces which related to the connection of human,space and exhibits.To sum up,the concept of design was preliminarily generated.Firstly,the visitors should be aware of the place structure.Secondly the place atmosphere should be recreated.Finally,the plot of the place will be arranged.To design,in the first place,the architectural form responded to natural mountain.What’s more,the interior space cited the kiln prototype.Thirdly,the view path made full used of the landscape.Through this kind of design,people,exhibits and spaces would have metaphysical interaction,which enabled visitors to experience in a whole artistic place.