From The Sacred To The Secular:To Research A Buddism Godness Avalokitesvara Feminine Artistic Image

From the sacred to a Buddism godness Avalokitesvara secular,and all worship are closely linked.As the world's third major religions of Buddhism,its cultural influence on China,Southeast Asia and even the world is profound,many China Bodhisattva in the worship,the most famous a Buddism godness Avalokitesvara bodhisattva."Avalokitesvara BuddhistBodhisattva,translation of the Sanskrit Avalokite vara,also translated as world music,light,freedom,free view of the world,Boluojiduosheboluo bound bound LuZhi Lua logic of low humidity." She is a Mahayana Bodhisattva in the Eastern Han Dynasty,the"S ilk Road"into Chinese.The introduction of Buddhism into China,the Chinese people Avalokitesvara quickly became the spiritual sustenance of a typical Bodhisattva,is a Buddhist deity of Chinese peopleadmire the most,have the most extensive believers in China,folk has"every household Avalokitesvara?Amitabha" proverbs.The introduction of Buddhism into China at the beginning of the "brave husband Avalokitesvara" image sits high Buddhist temple,is characterized bytall,muscular,still have two left moustache,maintained the original male.Then,the image of Avalokitesvara gradually by the Wei and Jin Dynasties of Sui and Tang Dynasties men evolved into neutral and evolve into the song after the women,and thefeminine goddess and display their spiritual characteristics in both sacred and secular.The Avalokitesvara variety name,Avalokitesvara sex transmutation,so many Buddha statues in Buddhism,the most abundant and most kinds of style change image of guanyin.As for the reason of Avalokitesvara degeneration,in addition to their own internal factors,and is closely related to Chinese traditional culture.Due to the inherent spirit of compassionand mercy,traditional Chinese reproductive worship,made by the male into thematernal image of Avalokitesvara,Avalokitesvara people shaping the maternal image,in order to achieve the ruling class popular political demand,can also satisfy people's spiritual needs and worship Dekor aesthetic psychology.All the image of God,the world is the ideal image,Chinese women's image in a Buddism godness Avalokitesvara their aesthetic demand,the ideal image of the performance of the human spirit,the aesthetic taste ofHan nationality.Breakdown of long eyebrow,Wen Ru ya,solemn demeanor,gentlegrace,wearing a crown,which has prominent women elegant sacred quiet a Buddism godness Avalokitesvara and her good secular spiritual characteristics of a combination of both.On the basis of classical culture,a Buddism godness Avalokitesvara Buddhist statues and a Buddism godness Guanyin generations,from religion,history,philosophy,folklore,aesthetics,art,art and other disciplines,the evolution of the ancient Chinese statues of a Buddism godness Avalokitesvara style,to further explore the hidden historical significance,religious meaning and image meaning.Focuses on foreign Buddhist culture and Chinese traditional culture is not a simple integration process,but to China traditional culture as the main body,has been abandoned in the process of choice,the foreign culture,it can be fully demonstrated in the past on a Buddism godness Avalokitesvara statues.