Yuan Dynasty Jingdezhen Porcelain Avalokitesvara Statue Study

Since Buddhism was introduced into China in the Eastern Han Dynasty,it has been influenced by the culture and art of the Chinese mainland,and played an important role in the development of Chinese ceramics.But in the whole evolution of avalokitesvara Buddhist culture and Chinese Buddhism is shaped in a rich and meaningful process.The ceramic art of avalokitesvara statues began,after the war,the rise of the Sui and Tang Dynasties from the Han Dynasty,mature in the song and Yuan dynasties.Northern Song Dynasty to the Qing Dynasty porcelain avalokitesvara statue after four stages of development: the Northern Song Dynasty and the Liao Dynasty is the initial stage(start-up period);the Southern Song Dynasty and the Jin Dynasty is progressive stages of development(development period);Yuan Dynasty is the mature prosperous stage(mature period),the Ming and Qing Dynasties is a further evolution stage(new development period).The main research contents of this paper is the artistic features of Jingdezhen Yuan Dynasty avalokitesvara statues.The Mongolia nationality rulers fully inclusive and equitable national policy,culture and art development becomes possible,all forms of art are to glow shines,the Mongolia rulers for development,consolidate power needs,and support the development of respected Tibetan Buddhism,the homeopathic spread to the mainland,greatly influence,led the development of China ceramics the influence of art,avalokitesvara culture is deeply secular since it was spread into India after the localization of Chinese,the Yuan Dynasty is its unique folk,popular affinity deeply,therefore,the double impact of the Yuan Dynasty ceramic avalokitesvara statues by folk belief in avalokitesvara and ceramic culture,perfect two kinds of traditional culture in a body.A splendid Buddhist culture,a typical representative of the multiple integrated form China traditional sculpture art Shi Zhongji is an important link of the the five chapters to study of Jingdezhen in Yuan Dynasty avalokitesvara statues,tries to analyze the artistic features,revealed the expression of deep ideological significance.The first chapter is the introduction part mainly introduces the religious environment in the Yuan Dynasty and the traditional ceramic culture,Jingdezhen kiln avalokitesvara statues and the significance of this study,purpose,present situation at home and abroad,and research methods.The second chapter: an overview of the Yuan Dynasty Guanyin statues ofJingdezhen kiln.The avalokitesvara culture background and Buddhist localization and secularization causes,and makes a study of Yuan Dynasty,avalokitesvara kiln survey and avalokitesvara statues style;The third chapter to the fourth chapter,the artistic features of Jingdezhen Yuan Dynasty avalokitesvara statues and aesthetic characteristics are discussed in detail;The exploration of the development of Buddhism in Yuan Dynasty and ceramic avalokitesvara Buddha statues,artistic style and reveal hidden behind the folk belief in avalokitesvara rich cultural metaphor and Buddhism faith and the Chinese ceramic art mutual information can not be separated.In this paper,through the literature research,image analysis,comparative study,field research and other methods to study and draw the conclusion.The author thinks that the quest for that Jingdezhen Yuan Dynasty avalokitesvara statues,further enrich the related information,and the relationship between the interpretation and dissemination of avalokitesvara belief culture,religious belief and ceramic culture has a positive effect and far-reaching significance.