Chen Zi-ang's Poetry Theory And Writting Accepted In The High Tang Dynasty

Chen Zi-ang plays a key nexus role in the history of Tang literary innovation,and no bad reputation.The birthplace, temperament style, ideological resources and literature spread awareness, making friends experience, political activities,etc.act on his dissemination and acceptance in the Tang Dynasty.Chen advocates "Fenggu", "Xingji" as the representative of the revivalist poetics,learning to Han and Wei, changing from Liang and Chen,and causes great repercussions.His famous poems "Youzhou Terrace" or "Ganyu" lay the foundation for the development of "the Voice of Empire High Tang".In the early High Tang after the death of Chen Zi-ang nearly half a century,Kaiyuan prime minister Zhang Jiuling consciously inherits and carries forward the fine tradition of "Fengya" and "Bixing", largely creating "Zashi" and namesake "Ganyu" poems,starts the light-style poetry faction.The poetry theory of archaism as innovation proposed by Chen Zi-ang quickly reaches to Empire High Tang parnassus through Zhang Jiuling's inheritance and innovation.Subsequent poets hold up the banner of Hanwei "Fenggu" and "Fengya", "Bixing",thoroughly cleaning the Six Dynasties' extravagant floating style,make Chen Zi-ang's archaism poetics becoming mainstream. "Xingji" concept has not only been regarded as the basic artistic poetry,but also the requirements about literary intervention in social life, sustenance of political ideals further developed.And "Fenggu" concept is to be the dominant melody in magnificent and emotional Tang poetry.From the development process of Five-character poem,Li Bai fellows Chen Zi-ang's archaism poetics based on national cultural complex.He strongly criticizes magniloquent literary situation after Jian-an,displaying his past-respecting mentality,then appeals for fresh poetry style.The series of poems "Gufeng fifty-nine" largely imitates Chen poetry.Du Fu speaks highly of "Ganyu" poems using the word of "loyalty ",then combines Chen Zi-ang's character and his literary spirit.Du Fu mainly accepts the realism creative spirit advocated by Chen,valuing "Bixing system",simultaneously requiring to write euphemistic words,and enhance his aesthetic poetics from two dimensions of the ideological content and artistic style. After the An-Shih Rebellion,Du Fu concentrates on writing lengthy Five-character poems,which have the characteristics of direct statements,politics irony,concern about the hardships and the purpose of allegory performance,so that Confucian ethics of recoverying simple custom in Yao and Shun period integrate into Chen's "Xingji" theory.Overall, the High Tang poets are characterized by the comprehensive inheritance and development of transcendence to accept Chen Zi-ang's influence.Chen's nostalgia, frontier, house arrest,landscape and any other themes constitute several of the most important development context in Tang poetry,for example,Gao Shi in the school of High Tang frontier poetry points a strong practical care to the frontier theme, which guides direction for his enamored poetry style of "Xingji".Wang Wei's early frontier poems have realistic tendency to generously save the world, similar in system, style, performance theme and other aspects with Gao Shi,Cen Shen or Chen Zi-ang's same type of poetry. And Chen's plain or simple verses have a profound impact on High Tang poetry of landscape and pastoral. "Poetry Buddha" Wang Wei receives inspiration from his landscape poems and the poems gifted monks with fresh, meaningful,and meditational interest,and so on.The acceptance of each High Tang poet for Chen Zi-ang's poetry theory and writing,consolidates his basic position in literary history,and makes his literature innovation activities sponsored in the Early Tang Dynasty have continuity in time.Between the era Kaiyuan and Tianbao,Yin Fan summarizes the developmental trend of poetry by editting Tang poetry anthology "The Collection of He Yue Ying Ling",pointing out that the authors are proficient in ancient and modern verse at the same time,showing a new artistic realm provided with both rhythm and "Fenggu" in writing. It can be considered that in the High Tang Dynasty,poetics advocated by Chen win the opportunity for continued development and successful practice.Parnassus scene in Emperor Xuanzong's reign which shares archaism trend,undoubtedly promotes the final formation of Tang poetry style shape.In short, Chen Zi-ang's literary innovational practices open up the "Tang Yin" of an era.Studying High Tang poets' acceptance for his poetic theory and writing,you can obtain ang synchronic and diachronic understanding about Chen Zi-ang,clearly know his role in the reform movement of Tang poetry.It is also helpful to comprehend the related poems' internally generated principle and the evolution of Tang poetics law.Despite the Middle or Late Tang poetry fashion faced with a dramatic change,Chen Zi-ang's poetry theory of archaism as innovation is timeless,producing cumulative effects through the spread,acceptance,promotion and innovation by poet Li Bai,Du Fu,etc. and causes more profound influences on later.