The Study Of Song Poetics And Tang Poetry Art

With its unique value,the Song poetics have played an important role in the history of literary criticism.Its study of Tang poetry is of great significance in the history of Tang poetry,especially in the history of the art of Tang poetry.However,at present,there are few examples of the study of Tang poetry from the perspective of Song poetics.Based on the book The Whole Song Poetics mainly written by Mr Wu Wenzhi,this paper makes a preliminary summary of the study of the poetry theory of the Song dynasty on the art of Tang poetry from the aspects of poetic techniques,poetic styles and poetic styles by adoption of the concept of generalized poem theory and full combination of various anthologies and rare books of Song poetics,as well as notes on poetics,historical theories and genre books.This paper is divided into three parts:introduction,text and conclusion.The introduction part reviews the academic research results on Tang poetics in Song Dynasty and Song poetics,and analyzes the current research status:Scholars pay more attention to the noumenal art study of Tang poetry,especially the artistic style.And the academic research on the Tang poetics in Song Dynasty mainly starts from the perspective of the history of reception.On top of that,this paper points out that the current study on the art of Song poetics and Tang poetry is relatively weak.The text is composed of four chapters:the first chapter is about the artistic techniques and poetic styles of Tang poetry.This part extracts the content of the study on the techniques of the using word,coinage,rhyme,discourse structure,syntax,conception and antithesis in each poetry,and analyzes them with the combination of Tang poetry.It also expounds the poetic theorists'comments on the current of poetics at that time and analyzes the poetic theorists' views on poetics so as to grasp the poetic creation thoughts of the poetic theorists in the Song dynasty.By analyzing the research contents of the relation between the style of Tang poetry and the poetic method in the poetics of Song dynasty,this paper focuses on the study of Yan Yu and Fan Wen,and grasps the progress made by the poeticists in the Song dynasty in the thought of ideological differentiation.In the end,this paper makes a simple analysis of the trend of "take prose as poem" throughout the Tang and Song dynasties,and summarizes the study on Han Yu's "take prose as poem".The second chapter analyzes the study of the style of Tang poetry in Song poetics.By summing up and summarizing the main characteristics,main methods and style types of the poetry style of Tang dynasty in Song poetics,the author tries to structure the theory in pieces.First of all,this paper summarizes the main study characteristics as follows:The overall perception,figurative metaphor and The critical consciousness is influenced by the aesthetic cultural tendency;Secondly,the main methods are summarized as:Comparative criticism and Selecting Sentences in Criticism,Experience their character and Finding the source;Finally,the study on the style of Tang poetry in Song poetics is divided into three types:time style,genre style and regional style.The theoretical elements are analyzed to better analyze the style of Song poetics and Tang poetry.Based on the theoretical analysis of the second chapter and according to the acceptance of the poets in the Song dynasty,the third chapter summarizes the poetry style of the important poets in the Tang dynasty,and its situation of being studied in Song poetics.Through this kind of summary,this paper clarifies the vein of style study of some important poets in the Tang dynasty,analyzes the development of their style research from the Tang dynasty to the Song dynasty,and respectively elaborates the inheritance and expansion of their style research in Song poetics in order to find the source for the finalization of the study of Tang poetry style.The first section is about the important poets of the early Tang dynasty,including Chen Ziang,Li Bai,Du Fu,etc.,and based on the content of "The debate of Li Du" in Song poetics,this issue running through the whole poetics history of the Song dynasty is analyzed,and the background and results of this debate are understood by sotting out the speeches of representatives of different viewpoints.The second section is about the important poets in the middle and late Tang dynasty,including Han Yu,Yuan Zhen,Bai Juyi,Meng Jiao,Jia Dao,Yao He,Li Shangyin and so on.Through the grasp of the representative poets in various periods of the Tang Dynasty,this paper summarizes the overall situation and value orientation of Song poetics' poetry research in the early Tang dynasty,the high Tang dynasty,the middle and late Tang dynasty.The fourth chapter is the summary and development of the art of Tang poetry.It includes three sections:the inheritance and exhibition of the aesthetic core of "nature",the transformation from "Zen into poetry" to "explaining poetry with the doctrine of Zen.",and the inheritance and development of Tang poetry in form and content.The first two sections,starting with specific propositions,have studied two concepts of great significance to the study of the art of Song poetics and Tang poetry,and grasp the characteristics of the poetical theory of Song poetics from the perspective of ideology.Although the third section is a little further away from the content of art,the development of form has built a good framework for the content and pushed the poetry towards maturity.The conclusion summarizes the value of Song poetics in the history of literary criticism and the study of Tang poetry,and points out the significance of Song poetics in the study of literature and culture.