The Astronomical Elements In Han Fu Research

Han Fu is the representative of the Han Dynasty literature. It not only strokes the whole social picture of the Han Dynasty vividly by artistic practices, but is like a mirror-like perspective Cultural Psychology disclosed that era, sometimes it is even ahead of its time. The astronomy in the Han Fu is both scientific and humanity. Current research of the astronomy in the Han Dynasty is still very weak. It is lack of system integration and in-depth discussion. This article mainly studies the cosmology of the Han Dynasty, and the astronomical elements in travel to distant lands,buildings,the Big Dipper and Tai Yi in Han politics of Han Fu. This article analyzes the performance of Han literature in the form of astronomy, and relates the findings of this pure literary genre Han astronomical and astronomy corroborate of the Han Dynasty, and do Depth analysis behind Han astronomical inherent in socio-political and ideological and cultural connotation of the Han affected by astronomical.The main parts of this paper are divided into four chapters:The first chapter introduces the development of ancient Chinese astronomy and the relationship between the writers and astronomy. Ancient Chinese astronomy includes two aspects. One is observing astronomy to develop calendar, the other one is observing astronomy to divine. This two aspects as two clues run through the development of astronomy in ancient China. It matures in the Han Dynasty. And the content can be seen in two ways, the Han have a very significant astronomical humanism, which is able to enter the Han astronomical literature relatively strong in the Han Fu. Han Dynasty has a relatively free environment of astronomy. A lot of writers studies astronomy, affecting their creation, which is the reason for the large numbers of Han astronomical phenomena, as well as in the Han astronomical terms can be readers of Han He accepted reasons.The second chapter examines the expression of the cosmology in the Han Dynasty. The first is the Gai Tian Shuo, which is rooted in the Confucian world are different; the second is ideas that the world is vast, which is mainly reflected in multi-tall depiction of things and open feeling in Han Fu; the third is the “nine days " in Han Dynasty, especially the romantic imagination of the nine days made a more far-reaching artistic conception in Han Fu.The third chapter analyzes the ideology of the harmony between human and nature in the astronomy elements of Han Fu. It is the main ideological content of Chinese ancient astronomical concept. Therefore it becomes outstanding performance of the astronomical elements in Han Fu, which concentrates on the description of the excursion scenarios and buildings. In the astronomical elements in excursion scenario, one can imagine the impossible or the stars down to earth reflects the thinking man with Days of Heaven. Man and God can be interlinked. Jingdufu mainly describes the buildings. The buildings conforms the astronomical elements, which reflects the ideology of the harmony between human and nature.The fourth chapter focuses on the two most astronomical stars appeared in the Han Fu: the Big Dipper and the Tai Yi, and its relationship with politics. Han Fu not only describes the Big Dipper as a timing ruler, also writes the performance of the Big Dipper accounting experience related to the emperor's virtues, the fate of the country, closely related to politics. Han Fu mainly describes a ritual of the Tai Yi in the Han Dynasty. The Tai Yi was originally a philosophical concept represents the original chaos, and later became the most distinguished gods, the Lord God of heaven that becomes when living in Purple Palace, the Han Dynasty, the late Eastern Han gradually withdraw from areas of worship, which is the political ideas about Han.