On Art Form Thought Of Marcus

Marcuse Herbert Marcus (1898-1979), as the backbone of the the Frankfurt school, in the developed capitalist industrial society, his unique theory of alienation, new sensibility idea and aesthetic liberation injected new vitality for the Marxist Theory. The reality of the problem about "alienation", the soul of emptiness, cultural crisis when facing a series of bourgeois developed social background, Marcuse puts forward the aesthetic movement and art revolution, and the establishment of a new perceptual system. A series of revolution and art practice need art forms, the status of change and transformation, guiding "human nature" to art revolution and its salvation, new art form changing human characteristics to art rationality instead of technological rationality.This article mainly through the following several parts of Marcuse's art form theory thought to carry on the elaboration:The introduction part:Firstly, it is pointed out that the traditional foundation and the status of art form theory in the ideological system of Marcuse art form theory, followed by analyzing the status and trend of Marcuse's thought on aesthetics research from politics to art at home and abroad, once again making the research methods and ideas clear.In the first chapter, from the traditional theory of Western formalism, concluding the background of the formation of Marcus art form theory, the ideological norms and establishment of art form is a shortcut leading to the beauty and art, Marcuse opposed that Marxist aesthetic realism who cherished Realism art as Progressive art and defamed romantic art, he believed that people inner reality and subjective consciousness of the soul should be injected into a new art form, thus avoiding the class consciousness words describing the art and beauty into embarrassed.In the second chapter, in the dialectics of content and form which as a starting point declares Marcuse's formalism what is different from Hegel's metaphysical tone and vulgar Marxism theory contempt form Practice, Defamiliarization, Stylization etc. These literary aesthetics unique vocabularies in Marcuse art form thought what form a unique aesthetic rules, the dialectic of the form and content is the premise of the inherent law on art form Marcuse's thought, Defamiliarization, Stylization and anti sublimation is the process, aesthetic and purification is the result.The third chapter and the fourth chapter discussed the reality of art form of Marcuse's thought in the situation and specify the art form of ideological background to the four factors of the technology, history, art, language, mining Marcuse art form theory the existence reason behind.Chapter five, on Marcuse thought of art forms were evaluated and combined with the characteristics of the contemporary mass culture and consumer culture contrast Marcuse art form's change, by understanding the changes of art form in the context of consumer culture in the people's overall development from three aspects: ecology, technology and institutional perspective, psychological perspective, especially Marcuse's " true or false " brought about by the theory of consumer culture of people's psychological question is the thought of art form of the new point of development.Epilogue, summarized Marcuse art form theory, specified Marcuse art form, we should understand it in a broader perspective, art form not only literary or artistic as esthetics'intermediary, in addition, art form is people that connecting art in real life, ideals and spirit of the conversion mechanism. At last, it expresses the longing for the study of art form.