On The Aesthetic And Artistic Hunan Tantou New Year Paintings

New Year paintings is formed in the background of agricultural society,it is produced in the folk,also in folk heritage,can be said to be a civilian art.The Traditional Folk Woodcut New Year paintings as a product of folk culture,has a long history and profound cultural connotation.However,Chinese in the history of Art,folk the traditional art theory of material shortage,the majority of folk art are realized by word of mouth,but in the accident,war and other factors under the influence of folk art,is likely to disappear in our sight,clearly written at this time there is a great necessity.Nowadays,although there have been some studies of New Year paintings the experts and scholars,but based on local features,protection of its artistic value and heritage,to research the development form of theoretical knowledge is inadequate.As a Tantou New Year paintings ancient folk art,is the product of a certain stage of the development of Chu culture to appear.The beach marks with New Year paintings,distinctive regional cultural characteristics and symbolic qualities,and formed the unique artistic style of the traditional art.The most Chinese folklore as New Year paintings an exotic flower in the art of the system has been widely circulated.Colorful traditional woodblockNew Year Paintings Art,can be said to be rich people in life a precious cultural heritage,but the development of today's Tantou New Year paintings is not optimistic,so the beach New Year paintings of this cultural heritage rescue protection imperative,must not let the most traditional New Year paintings in our generation to lost.The traditional Tantou New Year paintings have further understanding,the author carried out a lot of fieldwork to collect data.The paper on the beach of the humanities,geography,and beach year painting the development of the research,expounds the types of theme Tantou New Year paintings and materials,production process,schema and cultural heritage,deeply explore the Tantou New Year paintings art form,inheritance and development.The development of the main Tantou New Year paintings,is rooted in the innovation.Innovation is in accordance with the way of thinking,to meet the requirements of the modern the demand as the starting point,in the material and cultural level of the existing,put forward new ideas,different from the ordinary people and create new ideas,new methods for the public recognition of the Tantou to the development of innovative things.New Year paintings aesthetic standards,not only requires the subject to follow the times,but also keep pace with the times in art forms and sales mode.The status of the Tantou New Year paintings future New Year paintings and put forward corresponding countermeasures,aiming at the development way for the rationalization of the Tantou New Year paintings,Also provide a theoretical basis for the development of other regional New Year paintings.