Pengcheng Liuzi Drama Troupes Flow — A Survey On The Rise And Fall Of Xuzhou Liuzi Theatre

xuzhou region LiuZi troupe was formally established in September 1956 by the people's committee of venture, at that time is the one of only two professional LiuZi troupe(another is shandong LiuZi troupe). Since the company was founded, has participated in the xuzhou xuzhou joint zone and watching a drama performance assembly and watching the first opera performance meeting, in jiangsu province has made remarkable achievements. Troupe, thus brought to the attention of the county government, in order to expand its scale, troupe in 1957 began to recruit liuzi drama students, liuzi drama inheritance of the ancient opera. In April 1959, the troupe, brought to the attention of the government of jiangsu province from xuzhou, to nanjing opera school, and obtained a certain result. In April 1960, the group returned to xuzhou.Company after back to xuzhou, xuzhou government transferred students enrich the troupe, and management cadres from the ministry of culture in four comrades troupe.Although the government made a lot of support, but LiuZi troupe development is not what it used to be. Until April 12, 1965, xuzhou commissioner's office LiuZi theater revoked the xuzhou region.Liuzi drama actor in this paper, the author specially visited xuzhou region,collected information about company, and in the establishment and development of xuzhou region LiuZi troupe case to compare the detailed introduction, including the introduction of liuzi drama and theater personnel composition, troupe of custom rules,operation of the company as well as the performance of the company., then sums up the reason of the decline of xuzhou region LiuZi troupes, and from their own reasons and external reasons. In this paper, and then puts forward the idea of liuzi drama the revitalization and development, emphatically discusses the heritage protection of liuzi drama: first, develop the government leading role, the second, attaches great importance to the cultivation of talents, the third, bold innovation, the fourth, attaches great importance to the judicial construction, explore the performance, the fifth, attachimportance to cultivate the audience. Finally, the paper puts forward the liuzi drama protection plan, from two aspects of static and dynamic protection some assumptions are put forward. Also hope to make small contribution to the development of opera art.