Yungang Grottoes Instrumental Image Test

Yungang Grottoes is not only the early Northern Wei Dynasty Buddhism in China root development of masterpiece, more reflect the artistic variety, ethnically diverse blend results, could we with our ancestors footprint should go to the historical evolution, can through the grand occasion of the life of music instrumental image reconstruction in the Northern Wei Dynasty,the Yungang Grottoes not only contains Xianbei nationality culture and the Han culture in the Yungang Grottoes,even send out the musical taste of western countries. All this paper,the author mainly through the following four aspects of the Yungang Grottoes instrumental music image:The first part, introduction. This part first from the Yungang Grottoes excavated historical and cultural background of and to ctarity the situation during the period of the Northern Wei Dynasty, political, economic, religious belief and carving skills, and then introduces the Yungang excavated stages, historical significance are discussed in chronological order of the transverse,and combing the grotto instrument distribution and preliminary overall grasp the number and types of instruments in the caves,lay the foundation for;The second part,the test instrument image. This part is of all the instruments study research, including musical instruments of the reference source, shape, evolution and value;The third part, analysis and research of the grotto bands, mainly the grotto in a few more representative of the band and the ancient books in the music situation of mutual comparison, the exploration of caves of the band in the presence of western minority music factors;In the fourth part, the Yungang grotto instrumental music image reflects the Anthropology of music thinking, including the meaning of music culture of the Northern Wei Dynasty, and Sui and Tang Dynasties music culture, reflecting the Buddhist art spread and secular society scene, is the Northern Wei Dynasty finished national fusion of the essence.