Folk Implications On Western Prose In The 1990s

In this paper, based on the history of Western Prose history research combing concept and western prose on the introduction of civil perspective, from folk to re-examine and sight-reading 90s spectacular western prose, aimed to get rid of the past, too much emphasis on research. " the western region,"" Western Spirit "" Western feeling "stale discourse and thinking, prose academic research to develop new growth point west, provide inspiration and thinking on the western horizon of the new century prose. Article is divided into three parts (not including introduction and conclusion), firmly grasp the "folk" This searchlight to illuminate the west 90s prose words and spiritual space. The first chapter discusses the 90s generation of western prose folk background that western essayist folk character, the 1990s'civil hot "trend of enlightenment and 1990s prose special reader market structure and rigid demand for prose, the western 90s prose folk culture characteristics produced three social background. The second chapter discusses the prose of the 1990s in western folk characterization:the creation of an object in the performance of writing folk, including write original folk imagery of the natural life, the underlying misery of farmers and herdsmen and western folk gorgeous folk and religious culture; in the creative motivation for civil and write performance; in the creation of the position of the performance of "in" folk writing, and pointed out that this "in" marked out not only living writer's position coordinates and writing, but writing practice and to germinal matrix uterus, is guarded resistant armor is the sword. The third chapter discusses the attitude of western prose treat complex civil 1990s.90s west from the western folk prose draws rich aesthetic and spiritual resources, setting up the spirit of their own home and identity, but also effectively represent the many symptoms of the times, but because of the contradictory cultural psychology writer, he also presented in discursive practice the "folk partial to" specific performance of the folk culture of too much publicity, the collective unconscious of the consumer market kitsch and indifference of the western city of Writing.