The Perspective Of Intertextuality Theory Analysis Of The Contemporary Guzheng Works Creation

This paper is a study on contemporary intertextuality Zheng creative works, involving Zheng works from the perspective of intertextuality to analyze, deconstruct representative Zheng works. It absorbed from the works of creation zither sound text and non-text sound, and its classification of representative works of careful study and analysis, carding.For the above, in the course of the study, the author studies the main problems are:1, mutual methodology of analysis of the text.Intertextuality forth the definition and connotation of the Chinese intertextuality definition and connotation, intertextuality applicability musical works analysis, theory of intertextuality Contemporary Zheng works shadow contains other texts, intertextuality angle analysis works, Enlightenment and the like.2, zither works absorb a wide variety of text creation, analysis of various types of text, and the typical classified ad Zheng summary, are discussed.From the creation of the source of the sound, these works(for example, such work "Fantasia," "Ella v", etc.) specific sound absorption text, music source material; and these works( "Ella v", " Lin'an grudge " Western music is also influenced by the text, with piano accompaniment instruments(also orchestral accompaniment form), combining Chinese and Western forms but also reflects the intertextual ideas.From the deeper connotation creative background angle or point of view works, works zither sound absorbing non-text, and the analysis of such typical works, discussion, summarized. In the broader context of humanities and social works to absorb the history of classical poetry, historical stories, folk tales and legends, tune name, the name of the tune, as well as in the context of the society by the thought of intertextuality and so on all non-audio audio text to explain works intertextuality reflect.