| Mineral pigments derived from the gift of nature, either the banpo primitive painted pottery, Mawangdui BoHua statues of temple architecture constitutes the important element in the history of Chinese painting. Mineral pigments in already constituted quite mature system, divided into mineral department and soil series. And these pigments are widely used in the murals, luster. Mineral pigments in the tang dynasty, because of the "ink painting" literati paintings and the "ink painting" into the mainstream, mineral pigment faltered, gradually fade out people’s field of vision. Until the modern mineral pigments to come on stage, artificial rock ore searching for new production and development, is a big step forward, a color can be divided into 16 levels according to the particle thickness, for painting the choice, it is because of this change, mineral pigments, emerge a batch of modern works of art very much.In this paper is divided into the ancient murals in the application of mineral pigments characteristics of my topic, is divided into three chapters:The first chapter is introduction, through the literature and consult the materials, summarizes the origin of mineral pigments, understanding its historical context and range of application, from bring such a surprise to the world of raw materials come from, made method about mineral pigments in ancient mural application characteristics.Chapter ii by kizil grottoes frescoes, the tang dynasty tomb murals, painting, thangka, for example, analysis of traditional mineral pigments used in mural, make clear the characteristic of mineral pigments.The third chapter is the main part of this paper, also is the key part of the mural in the mineral pigment properties of my creation inspiration, and mineral pigments in my late in a series of creative applications. |