An Analysis Of The Creative Features And Playing During Scriabin's Middle Stage Illustrated By The Case Of 2 Poems Op.32

Scriabin is a composer who has both well performance and creative talent His piano works play an important role in the early twentieth Century among the piano works. Scriabin's musical style is different from the traditional national Russian music. His musical language belongs to the west, the early works both in song type and compose techniques are imitation of Chopin, Liszt and other romantic composers. He begins to develop his own harmonic language in his medium term. With the impact by Nietzsche and mystic, his music begins to express a mysterious atmosphere.This article is divided in to six sections:introduction, the background of Scriabin's compose in his medium term, the characteristics of his creative style, and the musical features of the<2 Poemes>Op.32, the deductive research and conclusion. Furthermore, this article explores the creative features and styles of Scriabin's piano works in the medium term, and takes the Op.32 as an example, focus on the musical form, harmony, rhythm and other musical characteristics. Through the own performance and analysis, which can create a good interpretation of Scriabin interim work style, and provide some help for the in-depth study of Scriabin's creative connotation.