| All wind music arts have a long history in the East and the west, but also in their respective tradition cultural and tradition atmosphere in evolution and development.Western music was first performed in indoor and due to the performance properties change gradually arts from indoor to outdoor and from simple standing playing evolution for moving the show to become the now, what we know marching music.China’s Han Dynasty wind music on the horses and the Qing Dynasty wind music is also moving orchestral performances, performances of the nature and function and the West marching band arts have some similarities, but the musical instruments used by the completely different, until the period of the Opium War, Western orchestral art was introduced into China, the country began the real marching band arts.This paper is divided into five chapters. Chapter 1: the history of marching band arts, the ancient Chinese and western music history comparative study.In the second chapter, the marching band arts performing in function and aesthetic characteristics,mainly from the aspects of aesthetic function, aesthetic conditions and marching band arts performing behavior characteristics were discussed. Chapter three marching band performing arts the audio-visual aesthetic shape and presentation, and analyzed from marching band performing arts of music aesthetic, body aesthetic and visual aesthetic.The fourth chapter discusses the aesthetic connotation of creative thinking and creative artistic performances of the travel tube. In the fifth chapter, we study the marching band arts performing aesthetic standards and aesthetic judgment, for marching music performance aesthetic subject and object view of standard analysis,grasp the aesthetic measure.The music aesthetics perspective for marching band arts performing research, strive for make the history, creation, performance and evaluation of marching band arts better. |