The Space Representation Of Huang Binhong's Calligraphy,together With His Flower And Bird Painting

For huang landscape of the recent research works has a lot of,but for his calligraphy and flower and-bird painting research is still in the minority,especially with less,and the emphasis is also carries on research from the Angle of the ink,stone interest,there is little to explore,from the perspective of spatial characteristics but actually having a unique style of huang calligraphy and flowers and birds painting in addition to superb ink kung fu and profound cultural accomplishment,is also closely related with his unconventional space cloth white.Huang's inner beauty,"qi and not neat" space such as modelling idea,using the actual condition of Yin and Yang in the art practice,white space,the density contrast technique,showing the viewer a far-reaching artistic space.This paper mainly from the three parts of the calligraphy and painting of flowers and birds for analysis and research,first part is Huang Binhong's concept of space is proposed,mainly including the ancient space painting and Huang Binhong inside and outside of the United States space modeling concept.The second part is the reasons for the formation of Huang Binhong's calligraphy and painting space,mainly including the origin of Huang Binhong's calligraphy and the development of the style of flower and bird painting.In the third part,Huang Binhong calligraphy painting space characteristic contrast analysis,carries on the analysis from the density,internal space and external space,principle of Taiji,seal role.The fourth part will he and other art works of calligraphy and painting were comparison of feature space,clearer grasp Huang Binhong art of overall features and aesthetic laws,through the study of calligraphy and painting works of Huang Binhong in spatial modeling,enable us to have a more comprehensive understanding of Huang Lao's artistic style,also has the very good help to our painting creation.