The Visual Rhythm Study On Subjective Image Surface Structure

In the art of painting,works are distinguished by some standards like painting contents,painting form,painting intention.To distinguish from the surface structure of the painting,a works aim for describing the true state of the nature images,the pictures are made by so-called "imitate" natural images,the painting actions are initiated with the visual perception in nature state.Another works initiate the painting actions with the form of "mind's eye",the created purpose is to perform the emotion of inner experience,with the real existed images as the foundation to create a visual picture reasoningly,the latter picture has more impact on visual rhythm,has more common consciousness with viewer.The subjective consciousness is performed via painting form by painter of "mind's eye"creation,is not restricted by physical form in nature,produce a picture surface structure with debate and confused sense in the vision by using subjective construction,bring the first visual stimulation to viewers,arouse the viewers continued interest to pictures admiration,trigger intentional or unintentional potential information of brain,stimulate thinking.This painter did not organize the pictures surface struction subjectively from beginning,the early works of painters is learnt and inherited the former painting "code",and the later painters began to create works which does not meet the "imitation" painting,facing the natural images and trying to incorporate their own subjective consciousness in the painting works,or even change the cognition of nature images in visual,using a variety of painting techniques to enhance the image impact on the viewers visual,the "impact" has different rhythm sansation,reach harmonious artistic "sense of beauty" to visual physical and visual psychology of viewers.The visual rhythm of the picture needs painters to have several subtle attempts to adjusts to pictures,In the combinated functions of light and shade,color and graphics,it finally convey the subjective consciousness for painters and build relationships for viewers.