The Vocal Music Creation Style And The Study On Singing Of LuanKai

The LuanKai’s writing style is very diverse, across all areas of serious music and pop music.He can be called a prolific strength composers. His creation of musicworks award-winning many times. Especially, his new classic folk vocal style works achieve the aesthetic ideas and artistic image of the high degree of unity, and have been in pursuit of elegant, classic, fine, while focusing on the beneficial combination with public life. With his vocal music creation style and singing, we can understand that the main trend of the Chinese contemporary songs at the same time. By absorbing the classic traditional culture, refining processing, being into the fresh blood, he forms his own unique style of songs, which not only demonstrates the deep musical literacy of Luan Kai, but also reflects his creative ability and talent with the integration of a variety of creative style and grasp of the characteristics.This paper will deal with the comprehensive analysis and thinking of China’s famous youth brigade composer Luan Kai style in the aesthetic standards and aesthetic ideas of today’s society. Through the analysis of Luan Kai new classic folk style, with the three songs "red anger" "drunk the eternal love" and the “Peony Pavilion”, with the research of the typical, representative new classic folk style vocal music works, which will show Luan Kai vocal music creation features. This paper is divided into four chapters to sort out and expound: the first chapter analyses the artistic career of Luan Kai, which is divided into two sections. The first section tells the story of Luan Kai.The second section sort out the musical achievements of Luan Kai.The second chapter combs the creation style of LuanKai’s vocal music works,which is divided into five sections. The first section is the expression of the pure feelings vocal music works. The second section is the Military Song Rong singing vocal music works. The third section is the way of life chant vocal works. The fourth section is the praise of the great love music works. The fifth is to show the national style of music works, which is divided into three kinds of national vocal music works.The first is the national vocal music works of reference, adaptation classes. The second is the national vocal style of art songs. The third is the new classical style of folk songs in vocal music works. The third chapter is the explanation of the folk songs with classical style in vocal music works, which is divided into two sections. The firstsection is the definition of neo-classical folk songs. The second section is the features of the new classical style folk songs in vocal music works. The fourth chapter is about the exploration and research of LuanKai’s three new classical folk songs by the songs’ background, the musical structure, and Sing Exploration separately.