The Relationship Between Dialect Film And Regional Psychology

From the Angle of art production, dialect film producers will product of dialect and the integration of movie art, is a combination of visual art and sound. From Mr.Chen(chen ge) in 1963 the first dialect movie since zhua zhuang ding, has its profound cultural connotation, different from its cultural mode and unique expression and relative funny vivid scene in the film firmly occupy a place in the market. From the perspective of cultural studies, as a regional dialect, externalized representations of qualitative culture, after the marriage with film art, which is from part to whole,Volkswagen, is seen as a modern art production environment of regional ancient culture trait of digging, it consists of previously is relatively stable,niche culture to have commercial culture, is an object with a lack of discrimination consumer mass of popular culture.However, because of the influence of the tradition of regional culture behind dialect, the movie works are always hard to do a perfect interpretation of regional culture and differences, this leads to the movie producers and audience will consciously or unconsciously culture of dialect in the movie dialogue evident:producers pay attention to in order to expand the film is the purpose of transmission in the audience and the audience's attention is to find or identify- to find self culture and its cultural recognition and attention. Thus, from the point of regional psychological especially aesthetic psychology, dialect film is a more research value types.The purpose of this paper is to comb the mainland dialect movie creation condition, on the basis of dialect film is partition, summarized different dialects roughly area between the regional culture, and emphasizes the relations between the dialect film and regional psychological and development direction of dialect movie creation and dissemination, etc. Try to put forward Suggestions of reference value. Because art is not just a single group formation and circulation process, it is a blend of the producers, audiences and critics, art collective wisdom of the art form,and the formation of film culture and the audience reaction influenced by multiple factors, so this paper will, from the perspective of the area, the respect such as producers and audience, inspects the mainland dialect movie production and audience psychology.Besides foreword and conclusion, this paper mainly has three parts:The first part is from the perspective of art production and research of cultural geography view down dialect film and "zone". This paper holds the view that: the study of dialect movie is, in essence, art research, and in the art study, under the premise of also inevitably embedded in the text mode within the framework of research. In the perspective of cultural geography division of dialect in the movie,then you can see "area" under the influence of aesthetic relativity and aesthetic preference, regional and psychological drive and restriction of dialect in the movie.The second part mainly discusses the regional dialect to film the effect in the process of production and propagation. First is dialect area of film creation expression of problem representation and solving strategy, second is the area underthe action of psychological audience to cling to the culture and identity, stick to the anxiety and identity crisis of film spread, finally discusses dialect film in the process of a subtle relationship with the regional psychological.The third part analyses dialect film on the regional aesthetic psychological explanation and reshaping. Main writing dialect film aesthetic feeling of generation and its application method, film areas under the strategies to stimulate new visions and dialect movie carried by the new psychological aesthetic concept of powers has deconstructed the reconstruction of the aesthetic experience.On the basis of above analysis, the general direction of dialect movie may success, namely: reasonable deal with the relationship between regional traditional culture and popular culture, screeding dialect area and other areas of the film performance difference, at the same time to respect regional culture, the rationality of the various aspects.