The Study On The Temporal-spastial Consciousness Of Feng Zhi's Poetry

Temporal-spatial consciousness in Feng Zhi 's poems is mainly divided into four categories: Love poetry in early times gives fresh chic beauty.Inside this space-time,through the sole image and the relative mode of “you” and “me”,the poems build a bending mental space time,which is named for “Corner Space-Time”;narrative Poetry is the perfect union of the classic and the modern,running over with romance.In Feng Zhi 's narrative poems,due to the dynamic images of characters and the relationship between space and time,“Visionary Space-Time” is constructed;The Northern Journey,a lengthy narrative poem,written in melodic,romantic vernacular with an urban setting.It,describing the change of space-time relationship and the alienation of urban space,establishes “ Urban Space-Time”;In 1941,Feng Zhi was in Kun Ming and published Sonnets(1942),a collection of 27 sonnets.The sonnets are mostly contemplative reflections on life and nature.Feng Zhi was living in a thatched cottage,immersed in natural environment.In the interaction of space and time,the cottage and road,these two images sets up “ Wild Space-Time”.Space-time consciousness in Feng Zhi 's poems represents aesthetic characteristics from three aspects.In Feng 's poems,the free verse style combines with the variant of xing which describes other thing to foreshadowing the main content,which helps him to express his feelings and experience space and time;In the poems,the description of mountains or rivers embodies the coagulating beauty of time because of the poet's special feelings;the distinct structure of space-time in the poems creates a double-space dialogue,which is mainly about the dialogue with nature and the dialogue with society.The modernity of space-time consciousness in Feng Zhi 's poems can be seen from the mental memories and experience that he put into the poems.This tells us that Feng pays attention on “people”.