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Three Theories Of Yuefu Of Poetry

Posted on:2017-09-04Degree:MasterType:Thesis
Country:ChinaCandidate:Y Y SuFull Text:PDF
GTID:2335330491450622Subject:Chinese Language and Literature
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Notes on poets and poetry are works of comments on poets and poetry,which is an important part of China’s ancient poetry criticism.Althouth it doesn’t use a systematic and rigorous theoretical analysis to construct poetics system,there are thousands of notes on poets and poetry that refer from specific issues related to the poetry creation to expressions and opinions on the laws of art.Yuefu,which has become a genre of poetry since the Han Dynasty,appear in a large number of folk and literary creation,which will become one of the important concerns in poetics.Therefore,this thesis will select Ancient Poetry and Ancient Poetry Sequel as the study points,finding the three theoretical system of apparent constructed Folk Style Theory,Yuefu Creation Theory,and Writers Yuefu theory.As to Folk Style Theory,I refer to the relevant literature.After analysising the meaning of Yuefu,I find in the poetry of Yuefu which refer to Song word actually a word,while others refer to Yuefu poems.As one of the poetry,Yuefu shows different stylistic characteristics in three different periods of Song,Yuan,Ming Dynasty.The Song overstate the Han Yuefu to the height of Confucian spirit level,and affirm the ancient quality wind of Han Yuefu,believing that the difference between Wei,Jin and Tang Yuefu is whether it has the Yinwei.Zhang,Wang Yuefu are not criticized very fair.The Yuan represented by Chen Yizeng,are influenced by the natural temperament theory and strongly approvals the sincere emotion,natural style of the Han,Wei Yuefu.The Ming influenced by retro style,not only observed the nature of quality without vulgar of the Han Yuefu,also noted the overlapping word in Yuefu narrative poems,sound word such as kind of fei pig call,respectively kicked in the promotion of narrative rhythm and the make up of the sound in music.As to Yuefu creation theory,this thesis begins with the origin and trend of Yuefu,believing that Song Rao which is formed in early stage of the Western Zhou Dynasty,is a mixture of minority and northern music.Whisk Dance,Spear Chongqing all belong to dance.The former is popular in Jiangnan Wu place during Wei,Jin Dynasty. While the latter is unable to read due to the difficult lyrics,which needs further research.Yuefu poems are developed from Songs and Songs of the South,which also interact with the Five- Word Poem.What for qualitative analysis and volume statistics are ancient title,the ancient meaning,ability of the ancient Yuefu of the variably dynamic evolution.The purpose is to outline the evolution trach of ancient title,the ancient meaning of ancient words.Finding the trend of departure from the original meaning and the original title,we can hardly retain the ancient title and ancient meaning.For writers Yuefu criticism,it makes comments on several Tang Yuefu creation of Zhangji,Wangjian,Libai and Lihe.Zhang,Wang Yuefu creation gets consensus approach.There are two reasons:one is that Zhang,Wang Yuefu combines ancient quality with ancient meaning.The other is that we will see the unique and clever of Zhang Ji Yuefu throuth comparison.Libai Yuefu which reflects Confucianism of the three cardinal guides and the five permanent members,integrate these idea with artistic and dig out the political ideals of Libai Yuefu.Li He’s poems are compared with Zhang Wang Yuefu and Libai Yuefu to see the respective heithts.Zhang Wang Yuefu has the character of slightly vulgar.Li He’s poems is approximately the same as Libai Yuefu but without its charm.His poetry is influenced by the poetry of the Southern Dynasty,which is gorgeous speech,and irrational constraints.This treacherous wind also affect the poetry created by Liu Yan Shi in the same period.
Keywords/Search Tags:Yuefu, poetry, style, creation, writers Yuefu
PDF Full Text Request
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