Research On Aesthetic Features Of Female Character Types In Sichuan Operas

China has a five thousand years of splendid culture. Today society have a rapid development and became prosperity. Development of technology make a great condition for human living. Meanwhile traditional culture' survival become harder and harder. Traditional culture should be paid much more attention and protection, especially some excellent national culture which are from civil society. Chinese traditional opera and traditional culture should be focus by all the people. The purpose of this article is to study the character shape designing of female role in Sichuan opera, and how to use different dress of the role to get a more vivid and intense artistic effect. This paper is composed by four main chapter:Fist chapter: it introduces the development history of Sichuan opera. Introduce the forms condition of Sichuan opera from environment, geography and background of its history,Sichuan opera is intermingle because of people moving from Huguang area to Sichuan, Route of Sichuan opera spreading and different genre of Sichuan opera. Firstly, it introduces the different character. They are included of Sheng(male role), Dan(female role), Jing, mo, chou?And then it introduces the different type of character “Dan”. It include about 14 types character of “Dan”(Qingyi Dan?Guimen Dan?Hua Dan…)Second chapter: Stay in opera troupe and study the opera of “Kao Hong” onsite. Investigate the characters' dress. Analysis procedures of makeup and aesthetic?procedure of hair coiling and aesthetic?meaning of headdress and aesthetic?meaning of dress and aesthetic. The procedure include putting on powder?grease?painting eyebrow?painting eyes?hair and dressing. It also have pictures of each procedure.Third chapter: it use “Kao Hong” ?“GongHui” and “DaSheng” as examples to introduce artistic Features of character “Dan” in Sichuan opera from performances beauty?stagecraft beauty and singing arias beauty.Fourth chapter: The Chinese opera step into a new developed phase, when new China set up. This chapter analyzes the innovations of modern opera?intangible cultural heritage protection and heritage and good prospects for the market.Fifth chapter: the conclusion of the paper, it shows that heritage and the protection of traditional opera are important to social development. It shows again that national and folk culture has the irreplaceable value of art.