A Study On Adaptation Of Sichuan Opera "Pipa"

"Pipa Ji" is one of the "Four Major Books" recognized by the Sichuan Opera Circle and has been circulating for more than 600 years. It contains the enduring fascination. After the founding of the People’s Republic of China, the traditional opera reform was carried out for the first time, including changing opera, restructuring, change people. The spring of 1955, in the "three change" policy, Sichuan Province carry out the Sichuan Opera repertoire of identification work, sorted out a large number of outstanding traditional Sichuan opera repertoire, including the traditional repertoire "Pipa Ji" is also in this column. Sichuan Opera Gaoqiang "Pipa" has a number of performances of this, identified by the drama group ,one is in 1957 by the Chongqing Insititute of Sichuan Opera arrangement of performance, and the other is under the"revitalization of Sichuan Opera" call, in 1983 by the Sichuan Academy of art of finishing the script.In this paper, the former as the research object, dividede in four chapters to analysis, as follows:The first chapter is the adaptation of the characters of "Pipa",analyze the central figure , characters and role change.The second chapter is the adaptation of drama plot in the drama of Pipa, this paper analyzes the finishing work of the Sichuan Opera drama have done and the adjustment of the plot,and finally analyzes the characteristics of the drama structure of the Sichuan Opera drama.The third chapter is the analysis of the tunes of the gaoqiang tuna in the"Pipa",this chapter mainly introduces the gaoqiang tunes, and classifies and analyzes them. Finally, the characteristics of the gaoqiang tunes are analyzed.The fourth chapter is the artistic characteristics of "Pipa",this paper analyzes the characteristics of Sichuan Opera "Pipa" ,and the use of language , as well as the various stage tips.