Mark In The Application Of Chinese Ink And Wash

Painting is a kind of creative work. In the creation, the artist in his world view as the instruction, through certain unique creation method, to look at the real social life experience, research, analysis, processing refined material, creates the artistic image, he wanted the process filled with subjective initiative, is not a simple copy life prototype,through the creation, the artist can be their own aesthetic art materialized for works. Is the person in order to meet the requirements of their own aesthetic, and the spirit of the production activities, the activities in the social life as the source, but not simply copy the life phenomenon, but the process of their own aesthetic consciousness materialized as works of art. Among them, the artistic creation stage we call it "experience" of art, this stage is an artist to think about life experience, is living in my heart for a long time accumulation, accompanied by strong feelings. Artists in their own on the basis of accumulated experience, fully mobilize all kinds of psychological factors, to look at specific aesthetic object, experience and understanding. This stage is the basis of artistic creation, no experience, no creation, so to speak.Artistic experience is usually divided into three progressive stages: the first stage refers to the reserve materials and aesthetic experience; The second stage of experience artistic and aesthetic discovery; The third stage is refers to the creative desire germinating and creative motivation. In the whole process, the artist will consciously or unconsciously received enlightenment from the objective world of various kinds of factors, including the nature and social life. The vivid and active elements, constitute the artist's material accumulation. Weak water three thousand, change a lot, this paper takes "trace" only a gourd ladle."Trace" includes the trace of the trace of the natural and man-made, they have long been belong to the objective world to the inspiration of the artist elements. So in today's art world, "trace" whether can be considered to be painting creation in Chinese ink painting creation, a recognized techniques? What is the definition of a "trace" ? What isthe content? Its emergence and development of the ink painting creation practice provides for the future what enlightenment? Today's Chinese ink painting is undoubtedly has entered a pluralistic and open era, ink painting form, especially the "new ink painting", "experimental ink painting" can be used to describe the changing the rapid development, All kinds of multimedia, digital, devices, etc. New technology, new artistic form with ink and wash, make a person dazzling, even find it hard to keep up with the trend. But behind this phenomenon also reflects the spirit pursuit of art, artistic conception, the deep things also in constant innovation, changing. As an artist, need to learn in this dazzling in the surface to see the essence of art, explore the rational value of art. We need to jump out of the given box may have to get rid of the dilemma, the discussion of this topic arises spontaneously. During grinding, oneself in the recommendation of the instructor, read the famous hubei artists Zhong Ruqian compiled the painting theory of signs, I was surprised Mr Zhong Ruqian had found such a wise and rational perspective to explore the value of art, also surprised that all sorts of evidence of the seemingly insignificant "traces" have been the important role of art practice. Himself because of "trace", so their own graduation creation techniques about the trace experiment was carried out, also had not seen in years painting practice new effect, not only that, but also realized the unprecedented painting in the process of creation. This article from the perspective of Chinese ink painting, combined with the own experience,attempts to explore the existence of "tracks" for the development of Chinese ink painting today.