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Han Embroidery, also known as Chu embroidery, one of Hubei Province has the unique traditional embroidery techniques, mainly popular in Hubei Province Jingzhou, Jingmen, Wuhan, Honghu, Xiantao, Qianjiang area. It is based on the fusion of Chu embroidery, embroidery from the north and South long, with a new knot full of distinctive local characteristics. With the representative of the Han nationality traditional craftsmanship as a, Han Embroidery because of its unique technology and art aesthetic value, on June 7, 2008, included in the State Council approved the second batch of national non- material cultural heritage. More and more people begin to pay attention to the Chinese embroidery, which is regarded as an important folk art treasure in Hubei province.As a national intangible cultural heritage, the cultural value and aesthetic value of the Han Embroidery itself has been recognized by the world. However, as a regional feature of the intangible cultural heritage, the cultural value and aesthetic value of the Chinese embroidery should be further analyzed. The Han embroidery patterns for expansion concrete research, expect learning through art and design research methods, further clarify the aesthetics of Han embroidery patterns constitute a system, especially for the Han embroidery pattern, to clarify the pattern to form the United States. Among them, the first part is the introduction, including the research background, the main significance of the study and the main use of research methods, intended to solve the basic theoretical issues in the study. The second part is the theory part of this paper, mainly includes first to third chapter. In this part will combine the reading literature, investigation interview the old artist and massive patterns to study the existing history of Chinese embroidery works, comprehensive and systematic consideration Han embroidery patterns, the Han embroidery patterns expansion classification research, design of system and combing the Han embroidery patterns which form features, and combined with the related technique characteristics of Han Embroidery, Han Embroidery process of Han embroidery patterns constitute the influence of analysis. The third part is the epilogue, mainly including the fourth chapter, this part mainly from the perspective of cultural anthropology, considering the external material use function and intrinsic cultural metaphor. The last part is the conclusion of the full text of the comb, and further summarized the Chinese embroidery patterns are rich in patterns of patterns; changing the form of artistic composition and full of cultural functions of the three major characteristics.