JuChao And JuLian Flower-bird Painting Art Research

Qing Dynasty as China's last feudal dynasty, this era paintings exhibited by integrated difference and diversity become the main features of a conventional painting. Since the Western economies and a culture of continuous seepage, reform and innovation has become an important feature of the Qing Dynasty painting. Chinese painting through several thousand years of development and change, has accumulated rich and valuable experience and formed a nearly complete, stable and diverse artistic language. It can be said to be a master of the Qing era, and the Qing Dynasty bird altar is the genre after another, colorful. Later on, Shanghai and Guangzhou is the first to accept foreign ideas and culture, active in Shanghai "Sea School" to national aesthetic anchored next to mining folk art, absorbing foreign art form a new style tastes. And be famous in Guangzhou leader when pushed Ju Chao and Ju Lian, said "Er Ju" They loved folk painting subjects picturesque, inheritance Yun Nantian finish, the traditional boneless painting as a starting point, the absorption of Western painting techniques to create a unique "hit the water hit the powder" method, a color blend, natural wild Yat style of painting. "Two Bedroom" teacher and good fortune to rewrite its students drawing ideological and geographical characteristics of Lingnan unique painting style reform pioneer of Chinese painting-"LingNan painting" has a profound impact on the body, and their painting techniques, creative thinking and innovation Awareness has become an important resource LingNan Painting Paintings. Ju Chao Ju Lian fresh and elegant style of painting boneless bird promote the development and revival of the late Qing Dynasty Mogu no bird altar infinite vitality and vigor, opened the LingNan painting by the old turn this off.