| This thesis takes the "Boneless Method" as the research object,and combines the personal creation practice to study and analyze the performance and influence of the "Boneless Method" in the creation of Chinese painting."Boneless Method" is a kind of outline that does not use or hide ink lines.The first language feature of "Boneless" is to weaken the lines of ink pens,and the second feature is to enhance the color block surface.The flat graphic structure of traditional meticulous paintings,three employees with nine dyes,boneless methods,etc.Xu Chongsi created the precedent of "boneless" in the Song Dynasty on the basis of Huang Quangong ’s painting methods;Yan Shouping followed the Xu Chongsi painting method in the Qing Dynasty,forming an individual The natural super-elegant style pushes the "boneless" to the peak;the modern "Jiaochaijulian" "bumping water and powdering method" and Chen Zhifo’s use of the "water accumulation method" in the mural painting have once again promoted the "boneless method" "The development process has brought new breakthroughs and developments to the boneless method.Through the theoretical research of different periods and the analysis of the classic works of typical painters,combined with his own feelings and thoughts of using the boneless method in the creation of works,it is concluded that the line shape is not a unique painting style of Chinese painting,and it is hidden in the creation of meticulous painting The "boneless method" of lines and color enhancement can also be used for narrative and thematic creation,looking for support in tradition,choosing from themes in reality,weakening the use of lines,flat colors,naive images,and diverse texture effects.Seeking innovation and development can not only promote the development of the "boneless method",but also open up a new path for the creation of Chinese paintings,so that Chinese paintings can play their value today and renew their artistic life. |
