The Study Of The Carving Theory And Carving Practice From Zhuiian

Chinese Study of Seal experienced a prosperous stage during the period of Wanli in Ming Dynasty.Zhujian 's telnet not only based on his profession on the Study of Seal but also on the practical creation of seal art.This thesis plan to discuss several prepositives from the books of Zhujian,such as " the theory of genres","the theory of the performance of calligraphic style ",and his recognition of the ancient seal which was made in Qin Dynasty or llan Dynasty,and he was so excellent on the field of seal art criticism that all.the rules of writing,organizing,and engraving were considerable.and then try to discuss the conception of Zhujian's seal study and skill of seal cutting.During the beginning of Ming Dynasity,with the influence from Tang Dynasty,Song Dynasty and Yuan Dynasty,the rule of Seal was chaos,and the confusion of the handwriting was used by every seal author.So Zhujian believes:there is no rules of the style of characters,language will also change with the time change.The only function of handwriting is to use.So the characters on seals is a style which people used in there daily life.On engraving method,Zhujian emphasize permeating the sense of writing brush in Seal cutting practice.The technique of Seal cutting which named "suidaofa"was used by Chengsui,Baweizu,Dingjing and their followers.Zhujian also create the technique named " qiedao ",which eventually became the representative technique of Zhepai.in order to elucidate Zhujian' s critical status both in Chinese Seal cutting theory and practice,the author try to expound the Seal cutting theory of Zhujian through his Seal cutting practice application systematically,especially the values?view of history?view of esthetics.In addition to this,another contribution of Zhujian,not only his theory on Seal cutting,but also his practice built the structure of the study of Chinese seal,it is therefore that Zhujian make a difference to the subsequent various Seal cutting genres.