| The Buddhist painting in the song dynasty,in addition to the external and external song of the ancient Tang dynasty,formed a unique face,in which the" monk series"works by Liang Kai is the most representative.Liang Kai from the early Careful and precise fine Academic style to the free Brilliant ink freehand,in the the history of painting has unique significance.However,in recent years,scholars pay more attention to the relationship between the change of Liang Kai style and the external objective environment,and neglect the research of his works,and most of them fall into the grand system of figure painting,and neglect the different distinction between theme,shape,connotation and figure painting.Therefore,the study of Liang Kai and his works is still one of the important issues in the history of art.This paper takes the" monk series" works of Liang Kai as the research object,takes style as the visual angle,analyzes the works deeply,in order to reveal the changes of Liang Kai’s painting style.The article is divided into three chapters.The first chapter analyzes the" monk series" works of Liang Kai and its background,summarizes the development situation and characteristics of the" monk" image.The second chapter,the overall context of the evolution of Liang Kai painting style,deconstructed the change of ink and modeling,and compared with the" monk" image of different periods,summed up the style characteristics and aesthetic connotation of Liang Kai"monk series" works.The third chapter,from the perspective of the style of notion of ultimate reality,from the development of the connotation of ontology,the limit expression of formal factors and personal works" meaningful image interpretation" to reveal the internal causes of the change,and then highlight its significance and value in the work.The innovation of the paper lies in:the" monk" image of Liang Kai is put in the context of the development of the southern song dynasty,to explore the trackway and causes of the style evolution in a new perspective.Through the style analysis of notion of ultimate reality,stand in the independence of art history,through the detailed analysis of the works body and the research of" monk" image reveals the style characteristics and creative personality of Liang Kai works. |
