The Music Theory Analysis And Singing Teaching Design Of Cantonese Nanyin

Cantonese Nanyin is a kind of Chinese traditional rap art which have long history,spreading in the Cantonese cultural areas.It has rigorous music structure,strict rhyme,strong folk flavor and bright color of impromptu.It can be used as a material to practice singing in the solfeggio and ear training class.It is of great significance for Cantonese Nanyin learners.It is also useful for the combination of other traditional folk music and solfeggio teaching design.First,the author researched status and urgent problems to be solved of Cantonese Nanyin through the early collection of literature,combing the background;and then analyze and summary the formation of Cantonese Nanyin's ethnic music theory through learning the skills to sing Nanyin for one year and interviewing the folk Cantonese Opera artists;on this basis,considered further of the feasibility that the music characteristics of Cantonese Nanyin use for singing teaching design.among them,the “Gongchi” music score,“Yifan” change note and rich folk music vocabulary from Nanyin are meaningful for the singing teaching design.Therefore,referenced the solfeggio teaching principle and theory to design the Cantonese Nanyin singing class,though several teaching practice,and found the effective singing teaching method is using the “Gongchi” music score as teaching import,and make the folk rhyme infiltration teaching from begin to end.Rhyme Improvisation teaching can be through the “ Banshi ” rhythm improvisation,the plus music vocabulary improvisation,and the “ Yifan ” change note improvisation,then students will divergent music thinking and find the folk rhyme ways of Nanyin is based on the Cantonese language and culture;Finally,using the traditional folk rap music for the solfeggio teaching,the students will concern more about the Chinese traditional folk music and Cantonese culture.