| After thousands of years of development,Chinese and Japanese zither music carries their own national characteristics."The source of the same,the shape of different" they come out of two completely different development path.Chinese Zheng has been in the spontaneous stage for more than two thousand years.Zheng Ziqin,Han,Spread from Northwest China to all parts of the country.To the Tang Dynasty to the peak,to the song and Yuan Dynasties fourteen,fifteen string Zheng appear.With the end of the Qing Dynasty,the social unrest,the decline of Zheng music,many Zheng song no formal biography,or even lost.Until the last century in 30 s,zheng music began to recover.Until 60 s five,began the new playing techniques,but this time the traditional art of Guzheng music in unearthing and gradually subsided,faced with the loss of traditional roots;at the same time,the development of modern China music also affected western music in the period after 80 s,in the "modern Chinese zither music highlights Westernization" side,such as "zither music".Then,the exploration and exploration of Zheng music creation will continue for a long time.It was not until eight and 90 s that it was able to develop and evolve,and the new situation of the development of Guzheng music was created in this century.In the traditional culture,the art of Zheng music in Japan is based on respecting the historical appearance,while respecting and protecting the traditional music culture.It is because of this positive attitude,so that together,they will integrate the Japanese and western music in all aspects,the development of a new form of music,and achievements,then in twentieth Century 50,in 60 s the formation of brilliant "Japan hogaku" is inevitable. |