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The Study Of Yang Chunshi's "Intersubjectivity Trancendence" Aesthetic Theory

Posted on:2018-04-11Degree:MasterType:Thesis
Country:ChinaCandidate:C C ZhongFull Text:PDF
GTID:2335330512492470Subject:Literature and art
Abstract/Summary:PDF Full Text Request
Mr.Yang Chunshi is an influential esthetician in contemporary China.In the debate of practical aesthetics,which represented by Li Zehou.Mr.Yang Chunshi continued to promote the aesthetic thinking of his own,and finally constructed what he called "intersubjective transcendence" aesthetic theory,Which has made positive contributions to the study of the basic theory of contemporary Chinese aesthetics.Mr.Yang Chunshi was originally earn his spurs with the "transcend the practical aesthetics","walk to post practical aesthetics" and other academic ideas in the aesthetics.In the family of post practical aesthetics,He advocated transcend aesthetics uniquely and pursued the freedom of survival.Thereafter,He found that practical aesthetics is too much emphasis on subjectivity,which made freedom and beauty difficult to show,so he consciously constructed his aesthetic intersubjectivity theory.With further research,Yang Chunshi found that transcendence of aesthetics was based on the theory of existence rather than ontology,And the prove of insufficiency of intersubjectivity ontology can not finally achieve the transcendence of practical aesthetics.Yang Chunshi thus attached great importance to the same theory of ontology and phenomenology,in his view,the two systems of modern philosophy: ontology and phenomenology need to get through,So that it can achieve aesthetic transcendence and intersubjectivity,At the same time it was possible to construct a veritable post-practical aesthetics,and ultimately realized the long-cherished wish,made aesthetics as the "first philosophy".It may be said that aesthetics as a "first philosophy" is also the "first philosophy" of their own long-cherished wish,because the existence and phenomenon were only possible in the aesthetics.Specifically,Yang Chunshi laid the foundation of existentialism for aesthetic,considered existence as a basis of survival,with identity and authenticity,was the common of me and the world,and thus derived aesthetic transcendence and intersubjectivity.The transcendence of the aesthetic overcame the alienation of the real life,thus reached the realm of freedom and restores the authenticity of existence;the intersubjectivity of the aesthetic can restore the identity of existence.How can the aesthetic environment of transcendence and intersubjectivity be possible? Yang Chunshi believed that in addition to make the existence of the world,but also need tocorrelate ontology and phenomenology.According to his opinion,The ontology was only possible in the field of phenomenology,because at the same time the phenomenology made the world to world-rization.which made the phenomenon become the presence of the show,When the phenomenon became the presence of the show,the phenomenon was not The existence of beings,then the survival of the transcendence will have the basis of ontology,intersubjectivity changed from epistemology to the ontology.With regard to these,"inter-subjectivity transcendence" aesthetics can be only obtained from the perspective of phenomenology,and therefore YangChunshi thought that aesthetics is the unite of phenomenology and ontology.Yang's "intersubjectivity transcendence" aesthetic theory has promoted the self-development of practical aesthetics,such as the new practice aesthetics and the construction of practical ontology aesthetics was undoubtedly directly or indirectly affected by his influence,and therefore we can not deny the basis theoretical value and academic significance of its aesthetics.At the same time,because of the "intersubjectivity transcendence" aesthetic theory communicated the phenomenology and the ontology,it can be described as constructing the modern metaphysics on the basis of new ontology,which provided redemption possibility to overcome the possible meaningful nothingness and other diseases of modern society.
Keywords/Search Tags:Yang ChunShi, Post-practical aesthetics, Intersubjectivity, Trancendence, Phenomenon
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