The Study Of Cultural Ecological Features Of Contemporary In Xinjiang Art

The cultural and ecological characteristics of contemporary Xinjiang art fully embody the existing state,formed under the collision and blend of state culture,national culture and regional culture under the framework of national art culture ecology,and contains variables of internal and external factors.According to the characteristics of the natural ecology and cultural ecology of contemporary Xinjiang art and culture ecology,the national art cultural ecology is the main line.The paper is a basic understanding of the Xinjiang art cultural ecology from the view of a Xinjiang Uygur girl who have grown up and growing in Xinjiang.In the research of this thesis,on the Ecological Development of Contemporary Xinjiang Art Culture,the author firstly take time as the axis,summarizes the development of Xinjiang's art culture and the basis and conditions of its cultural ecology since the founding of new China,and constructs the basic form of contemporary Xinjiang art culture ecological environment.Secondly,starting from the impact of state,regional and national culture on the art of Xinjiang,the author study on contemporary Xinjiang art cultural ecology,combined with the related art works to analyze and summarize the nationality,region,religious and the characteristics of the times of the contemporary Xinjiang art cultural ecology.In the study,the paper comprehensively combs the influence of the military reclamation art under the guidance of the national government in Xinjiang,which is guided by the Xinjiang Production and Construction Corps,to the contemporary Xinjiang art culture ecology since the establishment of new China.Thirdly,it studies and analyzes the style characteristics of contemporary Xinjiang art,and explores the relationship between contemporary art style and cultural ecology in Xinjiang.Finally,the author makes a reflection on the significance of contemporary Xinjiang art culture ecology research and the causes of the problems in the development process,and puts forward my own understanding of this problem.The paper is divided into five chapters.After the introduction,the paper divides Xinjiang'sart development into four historical stages according to the important historical transformation of the development of new China--“Xinjiang art in the early days of the founding of new China”;“Xinjiang art in the period of ‘Cultural Revolution' ”;“Xinjiang art since reform and opening up” and “Xinjiang art in new era”,and has a detailed discussion.In the four stages,the first two stages are the basis and conditions of the contemporary development of Xinjiang art culture ecology.The latter two stages are the present situation of the development of contemporary Xinjiang art culture ecology.Finally,the following conclusions are drawn: First,the construction of contemporary Xinjiang art culture ecology is closely related to the nation cultural and ecological system.In every historical development process,Xinjiang art is synchronized with the Republic;Secondly,the regional characteristics of Xinjiang art culture ecology is the artistic expression of its regional cultural and ecological characteristics,but it is not separated from the framework of national art culture ecology;Finally,in terms of the ecological characteristics of contemporary Xinjiang art culture,although the imbalance of economic development between countries and regions has caused some gaps in contemporary Xinjiang art culture ecology,the new Silk Road economic belt is creating a new impetus for sustainable development to the contemporary Xinjiang art culture ecology.