To Explore The Language Of Chinese Landscape Painting Ink

"Pen and ink" is a kind of art form of Chinese landscape painting, it occupies the important position in Chinese painting. Traditional Chinese painting’s main language is ink painting performance, it is the modelling language of Chinese painting, the artist expresses the spirit of emotion bearer, is an artist and view ICONS used in the special language of thought and emotion communication. The use of pen and ink is unique to Chinese painting, the most representative of national style. Chinese landscape painting is very pay attention to the use of ink, the quality of images of ink capability determines the image of whether whether artistically vivid, artistic conception far-reaching, pen and ink landscape painting are most can represent a time cultural spirit, it also will landscape of formal beauty and real landscape out of the spiritual connotation of performance, it is both a means and drawing symbols, modelling is also independent of language, embodies the unique spirit of pen and ink.When the ink in the language of landscape painting paintings from the most basic forms and techniques of performance, sublimation to the painting is the expression of feelings, it has the profound connotation of traditional culture. This article from the pen and ink language, learning style, include size and the form of its heritage and development direction to explore.The first chapter:the main system of traditional Chinese landscape painting art form, with the classification of Chinese landscape painting and the painting method of Cun, wipe, point, dyeing, and discourse of modern art form.Chapter ii:mainly summarized several phenomena of the language development and discusses the modern ink pen and ink language learning methods include four aspects: copying the traditional pen and ink language; Combined with calligraphy; By sketching the development of new pen and ink language; To cultivate the brush pen and ink by increasing their self-cultivation.In the third chapter:mainly elaborated the Chinese landscape painting ink language of humanistic spirit and a reflection of an era art environment, to increase the ink language to a spiritual realm.The fourth chapter:this chapter system contains the size of the philosophy, this paper expounds the ink language and its heritage and development, inherit and develop excellent traditional ink adapting to the new ink language requirements.