Nirvana Of Phoenix—A Study On Yulin Ditty On Stage

Yulin ditty,as ballads of lane in the northern Shaanxi folk songs,because of the refined and popular lyrics as well as simple and flexible performances praised as“wonderful flower”in the literature of desert.From birth to development,Yulin ditty has undergone a total of over 300 years,with the evolution of history,it's performance stages have been glorious once,but it also has several fractures and embarrassments,especially the mechanism of “Intangible cultural heritage”and the passing away of the Yulin song singers and artists,it makes the archaic and modern fracture of inheritance,the level of singing,the scale of the concert,even the performance stage and level faces many difficulties.In the prevalence of “Stage deduction” of original folk songs these years,many scholars have carried out the discussion on the Yulin ditty: some researchers have studied it from the perspective of aesthetics;some have studied according to some folk phenomenon of northern Shaanxi folk songs;others analyze the deduction of folk songs from the deduction rule of Yulin ditty.However,all the above-mentioned studies fail to notice one important problem,that is,the “Stage wise feature” is relatively weak in the development of Yulin ditty,for it has existed as a form of self-entertainment since its birth without touching upon the outside city.Nowadays“globalization”“information technology”and “electronic”the impact of modern information and technology,pushing the seems a little bit out ballads of lane onto the road of modern “Stage wise feature” and become an important factor that can't be ignored in the future development of the Yulin ditty.The key factor of this discussion for the author is that how to reasonably use the“double-edged sword”of“ Intangible cultural heritage”and make the Yulin ditty “Nirvana of Phoenix”on the higher stage.For this reason,the author believes that in the research on Yulin ditty,we should out only study the origin and artistic features of Yulin song but carry out in-depth analysis of the “Stage wise feature” in various periods to provide considerations for the“development” of Yulin ditty under the context of intangible cultural heritage.It is just under the context that “textual research” on Yulin ditty on the historical“stage” and “intangible cultural stage” is conducted among which the introduction part illustrates the topic background,research significance,research status and the definitionof "stage";the first chapter combs and analyzes the development context of Yulin ditty on the historical stage and the progress of “Stage wise feature”;the second chapter analyzes the Yulin ditty on the intangible cultural stage focusing on the performances and communication of Yulin songs under the leadership of Wang Qing after listing in the intangible cultural heritage and conducts analysis of the “Stage wise feature”;the third chapter reflects on the development of modern Yulin ditty and analyzes and summarizes from the case comparison of domestic traditional “Stage wise feature” and gains and losses of the “Stage wise feature” on the intangible cultural stage.