The Aesthetics Of Crossing The Axis-Another Principle Of Form In The Spatial Relationship Of Film

In 1915,the United States director David Griffith in his movie The Birth of A Nation to create a character dialogue lens clipping rules,that is,by a double lens plus a group of positive and negative shot lens composition,which kind of way by future generations to become "Hollywood three shot method".It follows a basic scheduling rule is the "180-degree rule." In the actual shooting of the existence of the axis of the scene,only the machine will be placed in the 180 ? area,in order to ensure that the direction of each lens and sense of space consistency,otherwise it is cross the axis.In this paper,we will discuss cross the axis in the classical narrative film,and use the research methods such as literature,case analysis and comparative research.We will carry out the basic research through reviewing and collecting relevant information.At the same time,expand the comparison of the vertical and horizontal phases.On the basis of combing the theory of film history,combining with the theory of psychology and aesthetics,taking the creative experience of director of Ozu Yasuji as the starting point,taking the creation time as the axis,taking the social history and culture as the background,from point to line.And analyzes the relationship between the shaft and the history and culture,the creative style and the psychological factors,and sums up the principle of the shaft and the reasonable application way according to the shooting method and the final effect of the multi-film master's cross lens.Theory and the combination of theory and practice,the objective understanding of the shaft and the resulting aesthetic effect,to change the long-term misunderstanding of the shaft,for the film language skills and ideas to bring innovation,and then get the film creation and the inspiration of development.