The Representation Of Chinese Cultural Images In Award-winning Domestic Films From Three Major European Film Festivals

In the 1980s and 1990s,with the opening of Chinese society and the development of economy,Chinese mainland films had been abroad and gone upon the world stage.They also gained quite well in the world's major film festival and spread the Chinese culture at an unprecedented rate and scale.Review the International Film Festival for nearly 30 years,there are many Chinese mainland films have made remarkable achievements,award-winning films in mainland are also playing an increasingly important role in the process of cultural communication.As a carrier of Chinese culture communication,award-winning films in mainland play an important role in external communication of Chinese culture.However,the study of Chinese culture from the perspective of films have not been given enough attention.There is no systematic interpretation and analysis in the academic circles.This topic attempts to quantify the analysis and tease out and present the films won by the Mainland in three major international film festivals(Venice,Cannes,Berlin)through text analysis.The author try to reveal the role of mainland's award-winning films in the external communication of Chinese culture and construct the Chinese cultural picture in the movie,which proposes make suggestions to the spreading of Chinese culture.The paper is divided into five chapters.The first chapter is an introduction,a brief description of the topic for the purpose,significance,literature review and innovation.The second chapter is mainly to sort out the films won by the Mainland in three major international film festivals(Venice,Cannes,Berlin),in order to analyzing the cultural preferences of three major film festivals in Europe.In the third chapter,the author gives a brief introduction to the tradition cultural symbols,modern cultural symbols and regional cultural symbols in China,and combines some of the films to elaborate these cultural symbols.The fourth chapter is to show the representative cultural symbols in the Chinese cultural circle,and to analyze the differences in reality and film.The fifth chapter puts forward the strategy of spreading Chinese culture from the macro and micro level.