Research On The Present Situation Of Chinese Bel Canto In The Conflict Between Chinese And Western Cultures

Since 1920 s,bel canto was introduced to China,which is one of the excellent western form of vocal music is not only in our root and get a leapfrog development,but also to a certain extent and realizes the integration and docking with China's national vocal music skills.From the point of view of the present stage,the results of the above fusion are mainly embodied in the creation and development of the "new national singing".Since the reform and opening up,the "new national singing" talent shows itself and has made brilliant and artistic achievements,but also presented the "thousand a cavity","1000 song blindly" embarrassing and unavoidable failings.As the famous vocal music educator professor Yu Yixuan said: learning bel canto is to better sing Chinese songs.However,from the current situation,how to draw the bel canto of the science and technology skills to sing Chinese folk songs,and then set up China vocal school individuation,this is still an important topic that we need to tackle tough.In view of this,the author believes that we should start from the Western vocal aesthetic cultural conflict and fusion of a deeper perspective,the differences from the linguistic comparison of Chinese and western music aesthetic ideal,singing style and skills,to find there are currently bel canto with my butt fusion of national vocal music in the process of the problem,and then an antidote against the disease the bel canto technique,put forward to realize the ideas and methods of national vocal depth docking and fusion.From the perspective of cultural differences between East and West,the development trend of Bel Canto and the nationalization of Bel Canto nationalization in contemporary China are studied systematically and deeply.This paper is divided into five parts.The first part is the introduction,introduces the background of the topic,scholars have literature review,research methods,research content,research difficulty and innovation;the second part,from the angle of music history of the bel canto came to China after the communication process in the origin and development of the west,twentieth Century.The third part will draw on the "sound cavity theory" Shen consistent point of view,starting from the western linguistic differences perspective,clarify the differences between Chinese and western music aesthetic psychology;the third part,through in-depth analysis of similarities and differences between the "closed" singing and singing "mask".Then the analysisof Wu Xiuzhi "three female one" style,to show the usage of the bel canto technique to realize its integration with the national vocal music depth,feasibility and effective activation of folk singing;the fifth part is the conclusion,this research key point.