The Study In The Application And Performance Of Pipa On Taoist Music Based On The View Of Dragon

The pipa is one of the traditional stringed instrument in China,about its history is unable to agree on which is right.In recent years,it is generally accepted by the academic circle that the pipa of pear type speakers was introduced to the Central Plains from the western regions from about fourth Century around the silk road.With its rich artistic expression and unique musical appeal to the royal princes,to people of all ages and folk.For thousands of years,its development and processing have made this exotic musical instrument deeply rooted in china.According to the existing literature,although Pipa plays a major role in Taoist music performance.But in artistic expression,inheritance and aesthetic ideas,there are many points of agreement.The timbre of Pipa is unique.It is good at expressing the beauty of history and culture with unique appeal.In the change of the years,the artistic expression of Pipa is also more incisively and vividly.For example,in the professional music,mostly are narration and description,metaphor of human subjects,with a strong lyrical and vivid expression.But the Taoism from the origin to the development of "people" as the core,the timbre of Pipa in a quiet,graceful,very good show some given philosophical and occult artistic expression.In the philosophical thought of Taoism,more emphasis is placed on the "delicate and delicate",which is most suitable for the musical expression of pipa,which is one of the reasons why the author tends to study the pipa music of taoism.With the development of Pipa dynasties,the art schools of Pipa gradually formed and laid the foundation and form for the development of instrumental music in Taoist music.Especially after nineteenth Century,with the reform and development of modern pipa playing skills and the formation of playing genre,Taoist music in instrumental tunes also followed up rich.In this paper,the author will proceed from Taoism and study from the angle of Chinese traditional aesthetics,and explore how the timbre of "Yin" and "masculine" plays a role in Taoist music.This article is divided into three chapters.In the first chapter,the origin and development of Taoist music are generalized.Then,through the review of the theory of capital and a large number of documents,the general content of Taoist music and the cultural characteristics of Taoist music are summarized.Here,it focuses on the cultural and artistic features of Taoist music,laying the groundwork for the following.The second chapter focuses on the status and function of Pipa in Dragon-Tiger Mountain Taoist music.The importance and uniqueness of Pipa in Dragon-Tiger Mountain Taoist music are discussed.The third chapter is the focus of this article,first to Dragon-Tiger Mountain Taoist music to do a simple overview,and then to Dragon-Tiger Mountain Taoist music in fourteen pieces of music card are analyzed the detailed structure of the final play to their own feelings to the analysis skill and feeling Pipa part should be paid attention to in playing the Dragon Tiger Hill Road to teach music when the.Let us understand the traditional musical instruments of Pipa as well as the rhythm and the beauty of Yin and Yang in Taoist music.