Changsha Kiln In Tang Dynasty Ceramic Decoration Prose Research

Changsha kiln,also known as Tongguan kiln,is one of the huge celestial kilns in the south of the Tang Dynasty.The site is located about 30 kilometers from the northern part of Changsha,Hunan Province.Began in the early Tang,flourishing mature in the late Tang Dynasty,and to the fifth generation began to decline.1998 "Blackstone" sunken ship was found,salvage a large number of well-preserved Tang Dynasty kiln ceramic pottery,so that the millennium Tang Dynasty kiln back to people's vision.Collectors and scholars have begun to pay attention to the Tang Dynasty kiln kiln,and gave the Tang Dynasty Changsha kiln new historical position,the Tang Dynasty kiln ceramic,Yueyao celadon,Xing kiln white porcelain position keep pace,boldly "South Green North White long sand color " proposition.However,most of the Tang Dynasty kiln research monographs tend to study the shape,process,decorative style,or purely aesthetic,did not decorate the most basic writing method,but did not explore its formation,this article The purpose of this paper is to find out the similarities in the painting theory of ancient dynasties,and to explore the causes of the style of decorative style of Changsha kiln in the Tang Dynasty and the key factors influencing its writing.Mainly from three aspects to explore,first,the Tang Dynasty Chang kiln decorative brush and traditional Chinese calligraphy and painting are closely related,the impact of deep,most of which written in the ancestors of the creation,Wei Jin Southern and Northern Dynasties,calligraphy and painting theory gradually mature,The formation of the system,the predecessors of the painter summed up a large number of works as a blueprint,painting theory as a theoretical basis for the Tang Dynasty Chang kiln decorative pen art development provides favorable conditions.Such as Gu Kai's "high ancient tour silk",Wu Daozi's "blue leaves" and so on,can be found in the Tang Dynasty Chang kiln decorative brush.Second,the Tang Dynasty Changsha kiln pen by the process,the shape of the impact,a special shape,the process has a corresponding decoration,the corresponding decoration corresponding to the brush,the three between each other.Third,the TangDynasty Changsha kiln decoration style mainly by the Xiang Chu culture and the influence of the Western culture,from the perspective of regional culture to explore the style of writing,subject matter selection affected.Tang Dynasty kiln artist in the learning process has never been mechanically,but through the integration,to extract innovation,combination and use,for the first time in the flowers and birds,people,plant themes in the form of compound form,In the era of freehand painting,the Tang Dynasty Changsha kiln for the development of freehand brushwork has played an exemplary role.Chinese traditional painting,both in the subject matter and writing skills are deeply affected the development of the Tang Dynasty kiln kiln to the subject of writing on the pen to explore the relationship between the two,through the ancient Changsha kiln heritage research to find the development of modern Changsha kiln The inspiration and favorable factors,to refine the refinement,continuation and development of its style characteristics,the future development potential of Changsha kiln should not be overlooked.