Study On The Exotic Culture In The Decoration Of Changsha Kiln Porcelain In Tang Dynasty

In 1998,a German salvage company found a tang dynasty shipwreck in Indonesia's belitung sea and obtained more than60,000 pieces of Chinese porcelain from the ship,of which more than 50,000 pieces came from changsha kiln.Huge and wonderful porcelain concentration of the water,and 1956 tube of hunan province cultural relic census found by changsha kiln sites and several excavated a lot of porcelain alignment and support each other,and at that time caused the hunan and academic interest in archaeology,the tang dynasty once vogue,products widely used at home and abroad,but somehow forgotten by history and dust for thousands of years of kiln mouth immediately in the archaeology,collectors,fine arts,history,gathered a large number of fans and researchers,especially how they did the modelling of the seemingly with the native culture and decorative provides people with a unique aesthetic style.On this basis,this paper will focus on the changsha kiln in the shape of utensils,decorative patterns show the characteristics of foreign cultural elements to comb and study,trying to find their origin,transmission path and internal correlation.Firstly,this paper explores the routes,ports and spreading areas of the export of foreign trade of changsha kiln,and makes a detailed analysis of overseas archaeological discoveries,museum remains and relevant documents,so as to restore the streamline route and scene of foreign trade of changsha kiln at that time,which is the factual basis and logical starting point for the research.Southeast Asia is a close neighbor of China.It had a close relationship with China in the tang dynasty,with frequent and in-depth commercial and cultural exchanges.Buddhism originated from the country of tianzhu and had a great influence on southeast Asian countries.Buddhism in the tang dynasty reached its peak in the religious history of our country and influenced every aspect of people's life.As an export to southeast Asian countries,changsha kiln porcelain is bound to be influenced by buddhist culture.On the other hand,the export products are for the use of foreigners,must follow their living habits and spiritual beliefs,sink into their cultural background,kiln workers to meet the needs of customers is a basic law of business and the inevitable choice.The foreign trade route of changsha kiln has been extended to the vast Arab region,where the pursuit of islamic culture,in the shape and decoration of changsha kiln can be seen everywhere in a variety of typical islamic cultural symbols,from the shape to decoration and crafts are obvious to accept the influence of islamic culture.Articles focus on combing and analysis of the foreign culture in explicit and implicit effects of changsha kiln porcelain,and commercial law from the market,the law of cultural exchange and analyzes the level of consumer psychology and aesthetic psychology in the,analysis and interpretation to changsha kiln-this is a Chinese hinterland of why kiln mouth filled with exotic deep historical background and the reasons.