A Research On Enlightenment Thought Of Three-Dimensional Structlure In The Mongolian New Period Novel Criticism

This thesis consists of three parts which are introduction, body, and conclusion.In the body part, the comments of enlightenment thought of the new period novel criticism illustrates into three chapters, the body part consists of three chapters. Novel criticism in the new period of enlightenment thought includes the content of humanism, national consciousness, and tragedy consciousness.The first chapter of body part discusses the critics' different opinion on humanism. Personal enlightenment is not only the root of social enlightenment, but also a national symbol of enlightenment. This chapter consists of two parts of ideas about critics' views on humanism and naturalness of human nature and people. And this part mainly discusses the critics' views on the understanding of the concept of humanitarian,ordinary people and ordinary performance and judgment, the cause of the time, and the actual environment, human nature, human nature and sociality, social connotation and social contact, criticism of the novel, the main performance, humanism and the critic's view of value, etc. The new period critics' discussions on humanitarian criticism has become a main content of humanitarian aesthetic enlightenment of novel criticism.The second chapter of the body part talks about the critics' views on national consciousness. The theme which involves the national consciousness of enlightenment role is the main content of the new period novels review study. This chapter analyze the critics' views and opinions on the national traditional culture and modern consciousness. It mainly discusses the national traditional culture and modern consciousness,national survival and development, love and unity for the nation and the characteristics of the nationality.The third chapter of the body part discusses the critics' opinions on tragic consciousness. This chapter mainly analysis the cause of the tragedy and tragedy consciousness enlightenment function. It includes the critics' understanding of the subjective and objective reasons of the tragedy, tragedy consciousness, and tragic consciousness of critics has brought the tragic aesthetic enlightenment. Besides, this chapter illustrates how these views and opinions of critics' became the third structure which embodies the aesthetic thoughts of enlightenment in the Mongolian new period novel criticism.