A Study Of Jiang Shiquan's Artistic Forms Of Drama

In the Qianlong period of the Qing Dynasty,the conditions of the development of various arts and culture were provided for the development of various arts and culture.The traditional literary genre of poems,words and texts continued to consolidate their historical status.Folklore also presents a thriving face.As one of the representatives of the literary circles in the middle of the Qing dynasty,the Tangshan Jiang Shiquan,with his outstanding talent,has achieved good artistic achievements in poetry,word,text and music,and left a lot of excellent works.Circulated eight drama so far.But for a long time,Jiang Shiquan's opera research also mainly in the ideological content and artistic content of the two aspects,and its opera art form of its own research is not enough to dig.This paper will study the narrative structure,language art and stage form of Jiang Shiquan's drama,which can best reflect the nature and characteristics of the drama,so as to further improve the historical evaluation and status of Jiang Shiquan's opera.The introduction part of the paper first introduces the life and its creation of Jiang Shiquan,and tries to show the creative background of Jiang Shiquan's opera.Then,the research on Jiang Shiquan's opera in the past ten years has been reviewed and summarized.After grasping the hot and weak points of the previous research,it clarifies the importance and feasibility of the study of Jiang Shiquan's art form.Chapter 1:Narrative Structure.This chapter chooses three aspects of narrative form,plot arrangement and rhythm arrangement to show the narrative structure of Jiang Shiquan's drama.First of all,Jiang Shiquan drama has a multi-repetitive narrative form,specifically through the confluence,parallel,explicit implicit three ways to achieve.Second,his play in the play there are two places of drama and drama.Finally,Jiang Shiquan is good at regulating the rhythm of opera,with hot and cold with,joys and sorrows,stretching transformation method to enhance the aesthetic experience of drama.Chapter 2:The Theory of Language Art.Jiang Shiquan has three distinctive features in language art.One is the rejuvenation of the song,which is reflected in the language itself graceful and imposing,poetry flexible and seamlessly into the song.as well as the music of the narrative of the enhanced;the second is the diversity of gag,Rely on the opera,homophonic,self-deprecating,boast of several ways,you can create humor,misunderstanding,funny,ridicule and other comedy effects;the third is the elegant and harmonious parallel even field,on the one hand Jiang Shiquan murals fixed white To maintain the style of elegance,and on the other hand it has developed a popular character,and the irony of the argument can also be counted as a new attempt to fix the white.Chapter 3:Stage form theory.This chapter mainly discusses from three aspects.First of all,in the role of setting,Jiang Shiquan's drama has several characteristics:First,the layout of the increasingly reasonable;Second,the net,ugly color between the existence of dislocation form;Third,the net has a tendency to return to comedy.Second,in the character modeling,Jiang Shiquan's drama and the specific performance:First,the cost of clothing with a unified style of unity of the program,the second is props complex,versatile,and third,the characters can make eye-catching characters.Finally,for the stage performances,Jiang Shiquan's drama also has some characteristics,one is personalized action,the second is a coherent performance,the third is the real set of scenery.In general,the art form of Jiang Shiquan's drama is rich and varied,and it can reflect the characteristics of the script,and some art forms also reflect that his works still have the ability to perform on stage.This article based on the script,through its grasp and analysis of the details,try to try their own efforts to analyze the art form of Jiang Shiquan's drama as much as possible,and strive to make up for the lack of research in this area,Jiang Shiquan's drama research contribution to their own of a meager power.