The Bottom Writing Art Of Yao Jincheng's Drama

As a l eader in Henan drama field,Yao Jincheng's dramatic composition has a great influence in China.But the research on him is still inadequate.His plays deal with the problem of people at the bottom of the society,which show the dramatist's humanistic concern on the underclass.The current research of academic circle mismatched his importance.Yao Jincheng's dramas about the bottom layer deepened the bottom of main melody literature.He emphasized the art from the life;especially the important of reality.In this respect,his writing finds the things with the underlying literature in common.But there are something different between them.The latter is inclined to outpour the misery and like to be out of the system of society;the former's bottom is full of hope.This hope is from the Party and government,and comes from the underlying character's unyielding fighting spirit and good humanity.Yao Jincheng's art world on the bottom is mainly divided into the two parts: one is the bottom of the rural and the other is city.In building rural underlying world,Yao Jincheng focus on shaping the image of rural women,describing their suffering and the sacrifice for the family.The dramatist praises their honest and good cha racter.In addition,he also noticed the rural ch ildren education's problems,showing the hardships of rural children whose way to school is full of sufferings.In constructing the city of the world,he focuses on t he migrant workers a nd laid-off workers.Through describing different experiences of migrant workers in city,Yao Jincheng praised the hard-working quality of rural migrant workers,and also reveals the tide of market's great impact on farmers' spirit.On laid-off workers,Yao Jincheng pins more ideal on them and praises the spirit of unremitting self-improvement of the unyielding laid-off workers.Yao Jincheng's language style can be summarized as the underlying language based on the combination of popularity,regional,and the perfect poetry;On the underlying character,he mainly adopts the way of “setting the brain” and designs the narrative framework of “one person,one thing”;On the drama structure,he use the way of “drama's development with the people's movement” and “stereoscopic perspective”,and makes every effort for “ judging the false or true” and “prohibiting absurd”.Yao Jincheng's writings about the bottom reflects his humanistic care and patriotic emotion.The spirit of the Times in his works displayed a contemporary intellectuals responsibility to the society.