| China's Buddhist grotto art has a long history,China's grotto art in the shape inherited a large number of Gandhara and mao Luo Luo's artistic composition.After the Northern Wei destroyed the North cool,with the Northern Wei Dynasty moved to Luoyang,grotto art in the process of communication,its inheritance in its origins at the same time also continue to be finished.At this point,Longmen Grottoes and Luoyang as the representative of the Central Plains Han culture and art tradition combined,they formed a Chinese characteristics of the grotto art.Gongyi Grottoes Temple stone statues as a whole is a typical style of the late Northern Wei Dynasty,the author in the process of shooting and collecting information found that these carved King of God,as in the shape,image,demeanor,composition has a unified and orderly design.After the author of the collection of relevant materials summary and summary of Gongyi Grottoes Temple King of God as with the same period of time and geography similar to the grottoes have several differences between: First,the king of the king's species,remove the majority of "ten gods Wang " as the standard,the god of the snake,the king of the sea,the king of rabbits,cattle gods,deer gods in the existing integrity of the king of the identification of the king did not appear,Second,from the layout of God Wang point of view,Gongyi Grottoes Temple of the king of the cave room are the center of the cave,God Wang removed the fourth cave east wall,are located in the center pillar base below,the grotto carvings and animal Against each other.Finally,from the king of the carving style of view,the king of the shape of the way and Binyang in the king of the king of God have more similarities,but the cave temple character shape is more rounded,but with the stay of the holy cave,ring Tangshan King of God as compared to the holy holy cave of the gods dress more,round shape,the cave Temple of God Wang has a very obvious characteristics of ample gown and loose girdle. |
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