Research Lin Fengmian Opera Figure Painting Art Characteristics

Since the 20 th century,with the opening of the Chinese country,the new trend of Western new ideas continue to influx,to promote the modern Chinese culture changes,as part of modern Chinese culture,modern Chinese art is necessarily to change,the road of reform is imperative.As the art pioneer of 20 th century Chinese art,Lin Fengmian personally,advocate and practice the integration of Chinese and Western art of the road,made a great contribution in the development of modern art.This article mainly discusses the artistic characteristics of Lin Fengmian's opera figure painting as "Chinese and Western fusion",after his experience of study in France,he believe in the guidelines for " Chinese Learning as the Fundamental Structure,Western Learning for Practical Use ".He focused on the spirit of traditional Chinese culture,while drawing on Western painting language form,with the opera figure as a carrier to give Chinese painting with a new concept and a unique aesthetic experience,formed a distinctive opera character painting art.This paper introduces the creation process of Lin Fengmian opera figure painting,sort out and summed up the Chongqing period,the Shanghai period,the Hong Kong period,respectively.The article mainly discusses the artistic content of Lin Fengmian opera figure painting,which is divided into three aspects.First embodied in the Lin Fengmian opera character painting unique painting art language,this paper analyzes square array with images of the sense of order,the expressive lines,the figure modeling and the spatial processing,the Integration of Ink and Color and the Highlighting Factors.Secondly,it is manifested in the fusion of Chinese literati impressionistic feelings and western expressionism,in the process of creation,Lin Fengmian grasp the spirit of Chinese culture,and he strive to find the combination of Chinese and Western painting in philosophy,aesthetics,artistic concept and so on and find his unique style,pattern and language.Finally,he has personalized pen and ink view,Lin Fengmeng did not abandon the pen and ink,but in the pen to abandon the calligraphy pen as the core of the traditional ink norms,and in a wide range of other traditional Chinese art on the basis of the essence of the creation of a new way.Nowadays,the development of figure painting is rich and varied,and solve the development path between realistic modeling and the contradiction is still the modern Chinese painting freehand brushwork painting on can not avoid the problem,still have important guiding significance of Lin Fengmian's Opera figure painting for the development of contemporary figure painting.