A Research On Yang Xuan Tablet Of Northern Wei Dynasty

The purpose of this paper is to make a comprehensive study of Yang Xuan tablet of Northern Wei Dynasty.This paper consists of four parts:The first part of this paper is about the basic information of Yang Xuan tablet,pointing out that the Yang Hui Tablet in Extended Double Art Collections by Kang Youwei is actually the Yang Xuan tablet.The tablet is located in the eastern Xihe country,Longyao County,Xingtai,Hebei Province.The original tablet was found in the early years of the Qing emperor Kangxi,and the related information was written into the publications of that year Tangshan County Annals(1673).The word“??”is the important basis of whether it is the new or old version of the calligraphy.In the edition of Hebei Province Cultural Relic Institute for reference,the extensions before 1956 are the old ones,for the word“??”,not damaged;while the extensions after 1956 are the new ones,as the word“Yangfu”has been damaged.The second part sorts through the Yang Xuan tablet inscriptions and discusses its historical value.Organizing with Lu Xun's JiJiao Stone Carving Manuscripts,combined with Ding Shaoji's epitaphs in the Qiushi Zhai tablet colophon,and Tibetan billiton by Lu Hejiu and the original monument,this part collates Beiyang Words.Through the literature investigation and field visits,it was confirmed that there were Chinese artistic words in the back of the tablet.According to the newly discovered rubbings in the back of the tablet,the original arrangement was published for the first time;the historical value of Yang colophon is that it integrates the biography of Yang Ba and Yang Xuan.The third part is about the book source and the artistic features of "Yang Xuan Tablet".The writer holds that Yang Xuan tablet is the best in the "wei rubbings body",and respectively compares it with the civil rubbings famous brand cases of the same word,points out that the Yang Xuan tablet is one of the typical works of the fusion of north and the south artistic style,at the same time,the writer analyzes the similarities and differences of the Jia Sibo Tablet and Zhang Menglong Tablet with the artistic style of the words in the front of the tablet.The fourth part,in the vision of stone inscription rubbings of late Qing Dynasty,introduces the ideas of learned scholars of "Yang Xuan tablet",such as Kang Youwei,Ceng Xi,Zhang Boying,Zhu Wenjun.It emphases on the huge advertising effect on Yang Xuan Tablet by Extended Double Art Collections.At the same time,with rubbing as the center,the writer makes a research on the history of its acceptance both at home and abroad since the late Qing dynasty.