Research On The Weaving Art Of Zigong "Gongfan" And Its Development

Zigong "Gongfan" is wonderful work in the our traditional folk art garden and the national intangible cultural heritage,which enjoys the reputation in Zigong,its superb bamboo craft has won some praise.However,under the background of the process of globalization,the living situations and social status of "Gongfan" have changed accordingly.Based on the background of the inheritance and development of traditional folk art,this paper takes Zigong "Gongfan" as the research object,and carries on the field research to dig out the unique value and cultural essence of "Gongfan".The research of this paper is mainly from the following aspects: First,to discuss the origin and development of "Gongfan",and its process and artistic characteristics;Second,it gives comparisons between Zigong "Gongfan" and other domestic bamboo art,which is the comparative study between Zigong "Gongfan" and bamboo weaving of Qinshen,between Zigong "Gongfan" and bamboo weaving of Dongyang.And it explores the advantages and shortcomings of Zigong "Gongfan" from the four perspectives,including the sorts of bamboo weaving,the form of art,the current situation of development and the its inheritance way;Third,it analyzes the causes of the development dilemma of Zigong "Gongfan",and puts forward the strategy for the further development;Forth,it redesigns the brand image and product pattern in the field of art practice,which forms the rethinking under the contemporary context of the "Gongfan" development.The postgraduate hopes to solve the present problems faced by Zigong "Gongfan" through the research of this subject,and to provide theoretical support for the inheritance and development of it.