Tone And Tune Of A Song's Research Under The Perspective Of Experimental Phonetics And Application On The Phenomenon Of The Book Of Songs Rhyme

Song itself has its own tunes and song lyrics with tone,so the question is singing songs in the pitch frequency is affected by the influence of tones or tune,or affected by the tone and the tune at the same time?To answer this question from the experimental phonetics point of view,this paper explores how does the tone and melody of song influence the song pitch frequency and pitch direction,and uses the experimental conclusion of tonal and melody research to explain the "Book of Songs"that exist in different phase modulation phenomenon,from the perspective of experimental phonetics.The paper is based on Putonghua corpus,the experiment corpus are recorded under the condition of no noise,no accompaniment,And collected by the election,to ensure the quality of experimental corpus.I use voice analysis software-The Praat software to make a single syllable segmentation of the corpus and organize,aggregate it.I compare the pitch measurements of different syllables with different tones under the same tune,the pitch measurements of the same syllables under different tunes,the tone of the individual syllables,and the pitch measurement of the three syllables to further demonstrate the effect of tones and tunes on the pitch frequency and pitch of the song,and to further use this conclusion to the interpretation of the transcriptions of the Book of Songs.This paper is divided into five parts:The first chapter is the introduction,which mainly introduces the research status of tonal experiment and tunes,the research status of the rhyme in the Book of Songs and the purpose and significance of the study,the research methods and ideas.The second chapter is an overview of experimental phonetic.The definition of experimental phonetics and the development stage of experimental phonetics are introduced,and the development of experimental phonetics can be divided into four stages-1920 years ago,in 1920-1940,1940-1960,1960-1980.The third chapter is the key point of this article,and is also the main part of this article.It is mainly about research and analysis of tones and tunes from the perspective of experimental phonology..This chapter is divided into five parts,the first part is a brief introduction of experiment software-Format software and Praat;The second part introduces the source of the experimental corpus,which mainly includes the selection of the subjects and the collection of experimental corpus;The third part explains the experimental steps,including the original audio format conversion,a single syllable segmentation;The fourth part is the analysis and statistics of experimental data,first there is a brief introduction about how to plot the pitch data.followed by three statistical data of the same tune under the tone of different syllable pitch measurement,different tunes under the same pitch measurement,single syllable tone and pitch measurement,listing the pitch map for comparative observation and further analyzing the phenomenon and causes;This chapter to carry on the summary.The fifth part of this chapter is to summarize the discussion that pitch and pitch frequency is mainly affected by the tone of the conclusions of this conclusion,and makes a simple description.The fourth chapter is the application of the study of tones and tunes,and takes the study of the transposition of the Book of Songs as an example.First this chapter gives a brief overview of the Book of Songs,and then analyzes the situation of the similarities in the Book of Songs,it mainly introduces the statistics of Tang Zuofan and Deng Kui on the data of the different transcriptions of the Book of Songs,and Jiang Yougao' misunderstanding in explaining the phenomenon of heterophonic collusion,when he tried to pursue the "harmony of sound and rhyme.Further more Tone of ancient times were studied,and paper also list some theory,such as,Ancient nontone theory represented by Chen,Ancient four tone theory represented by Gu Yanwu,Jiangyong and Wangli,Ancient two tone theory represented by Zhang Binglin and Huang Kan,Ancient three tone theory represented by Duan Yucai,Kong Guangsen and Ancient five tone theory represented by Wang Guowei,Tang Zuofan.What's more,whether or not there is a tone in ancient times,the song is affected by the melody.So as long as the rhyme of the same tune,it sounds rhyme.Chapter five is a summary.This chapter makes a briefly summary of the paper to sort out this thesis,and it reveals some shortcomings of this paper and puts forward the prospect of further research.This paper studies the effects of tones and tunes on the pitch frequency and pitch of songs from the perspective of experimental linguistics,and uses this experimental conclusion to explain the different transfer phenomenon in the "Book of Songs".It is hoped that this paper can make a modest contribution to the study of linguistics and phonology.