Hero Mythology Under The Apparent Deficiency Of The Pre-qin Aesthetics Research

The level of productivity and intellectual level of the early ancestors are relatively low,and it is a literary form in which human beings can visualize the forces of nature by imagining the conquest and domination of nature.Myth is the human through fantasy,in a collective unconscious thinking manipulation and the formation of real life to reflect the oral literature,heroic mythology is a classification of mythology,is a large number of a myth.These myths are produced later than the myth of creation and the myth of God,expressing the desire of man to resist nature.At the same time,it is also a general summary of some kind of human labor experience.Therefore,the heroic myth of the pre-Qin era is inevitably marked with the natural form and attributes,and the signs of natural worship.The study of heroic mythology in the pre-Qin Dynasty is mainly through the pre-Qin heroic mythology related to the pre-Qin literature historical materials,poetry and literature,painting sculpture and other archaeological artifacts to carry out excavation of these materials,and the information is also the author summed up the heroic mythology Aesthetic connotation and cultural connotation,and study important information of aesthetic consciousness in pre-Qin Dynasty.The thesis is divided into three parts:The first part of the study of the heroic mythology show the original thinking,religious and cultural background.Mythological thinking is the early human thinking,pre-Qin heroic mythology thinking with identity,causality,symbolism,analogy,emotional logic and other characteristics.Mythology is different from the religious view,the myth begins with the primitive religion,the formation of the original ancestral religious concept,is the primitive society low-level labor and production practice to a certain level of product,has a certain nature.The second part explores the aesthetic changes of the heroic mythology of the pre-Qin Dynasty by analyzing various historical books.In the pre-Qin period from the primitive society to the civil society,the myths from the Pangu opened up(creation myth)to the Qin Shi Huang Zheng Zheng extortion(struggle myth),sporadic fragments recorded in the pre-Qin and Han later ancient books,and not a system.This paper explores the aesthetic connotations of the heroic mythology in the pre-Qin Dynasty,the artistic expression of the heroic image and the natural relationship in the mythology,and the aesthetic characteristics of the heroic mythology of the pre-Qin Dynasty by analyzing the literatures of Shanhai Jing,Chu Ci,Huainan Ji,And other content,we can see the original ancestors of the aesthetic consciousness.The third part mainly studies the aesthetic value of the heroic mythology of the pre-Qin Dynasty.Myth spreads for thousands of years,and future generations continue to learn from the mythology of national spirit and aesthetic thought.The lineage,the family,the society,and the ethical ideas,which were later brought into the culture of the Chinese nation,not only affected the traditional political ideas and patriarchal clan system,but also influenced the development of the later Ethical Aesthetics.From the original Confucianism and Taoism to the contemporary heroic mythology,the aesthetic value of the heroic mythology of the pre-Qin Dynasty is immeasurable.The heroic image of the heroic mythology of the pre-Qin dynasty reflects the initial type of thought and religious consciousness of the ancestors in the primitive society.In the arduous environment,the hero is the best interpretation of beauty and hope.It is helpful to study the heroic mythology of the pre-Qin Dynasty and study the aesthetic history of ancient Chinese culture,especially the ancient Chinese people.